Nagel J J
Bull Menninger Clin. 1993 Fall;57(4):492-503.
Stage fright is a mystifying and unnerving experience for many performing musicians, and it often impedes professional and personal fulfillment in careers. However, when some performers seek psychological treatment, it is not unusual for them to wish for a quick cure for a problem that is complex and overdetermined. Using psychoanalytic theory and a case example, the author illustrates how stage fright is related to an individual's life history and how its symptoms are the manifestation of complex unconscious processes. Questions are raised about problems that arise in treating performers.
怯场对许多职业音乐家来说是一种令人困惑和不安的经历，它常常阻碍他们在职业生涯中实现职业和个人成就。然而，一些表演者寻求心理治疗时，他们希望快速治愈这个复杂且受多种因素影响的问题，这并不罕见。作者运用精神分析理论并结合一个案例，阐述了怯场如何与个人生活史相关，以及其症状是如何体现复杂的无意识过程的。文中还提出了在治疗表演者时出现的问题。
