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一个连接视觉与描绘的框架。

A framework connecting vision and depiction.

作者信息

Wijntjes M W A, van Middelkoop C

机构信息

Industrial Design Engineering, Delft University of Technology, Delft, The Netherlands.

Willem de Kooning Academy, Rotterdam University of Applied Sciences, Rotterdam, The Netherlands.

出版信息

Vis cogn. 2024 Apr 22;32(6):535-550. doi: 10.1080/13506285.2024.2320762. eCollection 2024.

DOI:10.1080/13506285.2024.2320762
PMID:40201711
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC11974922/
Abstract

We present a framework that connects ideas from the visual arts and visual perception. It adapts two existing frameworks for the analysis of form and content so that it can be used in an educational context for teaching perception through visual arts. The basis is the formal analysis of texture, colour, light, space, and material. This analysis can be conducted both on the medium and the motif, which adds a second level in addition to the formal level. Thirdly, a conte(n/x)t level is discussed which combines a basic notion of semiotics and iconography. We share our experience of implementing pictorial analysis in design and perception education and discuss how the framework is used both in a quantitative and a qualitative fashion. Next to education, the framework provides a basis for further pictorial research.

摘要

我们提出了一个将视觉艺术与视觉感知的理念联系起来的框架。它改编了两个现有的用于分析形式和内容的框架,以便能在教育环境中用于通过视觉艺术进行感知教学。其基础是对纹理、颜色、光线、空间和材料的形式分析。这种分析可以在媒介和主题上进行,这在形式层面之外增加了第二个层面。第三,讨论了一个语境层面,它结合了符号学和图像学的基本概念。我们分享在设计和感知教育中实施图像分析的经验,并讨论该框架如何以定量和定性的方式使用。除了教育之外,该框架还为进一步的图像研究提供了基础。

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本文引用的文献

1
Does Group Contact Shape Styles of Pictorial Representation? A Case Study of Australian Rock Art.群组接触是否影响绘画风格?以澳大利亚岩画为例。
Hum Nat. 2022 Sep;33(3):237-260. doi: 10.1007/s12110-022-09430-2. Epub 2022 Sep 15.
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Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision.绘画材料(MIP):一个用于感知、艺术史和计算机视觉的跨学科数据集。
PLoS One. 2021 Aug 26;16(8):e0255109. doi: 10.1371/journal.pone.0255109. eCollection 2021.
3
Understanding gloss perception through the lens of art: Combining perception, image analysis, and painting recipes of 17th century painted grapes.
从艺术角度理解光泽感知:结合17世纪绘画葡萄的感知、图像分析和绘画方法。
J Vis. 2019 Mar 1;19(3):7. doi: 10.1167/19.3.7.
4
Reliable Top-Left Light Convention Starts With Early Renaissance: An Extensive Approach Comprising 10k Artworks.可靠的左上角灯光惯例始于文艺复兴早期:一种涵盖10000件艺术品的广泛研究方法。
Front Psychol. 2018 Apr 9;9:454. doi: 10.3389/fpsyg.2018.00454. eCollection 2018.
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What is the Bandwidth of Perceptual Experience?感知体验的带宽是什么?
Trends Cogn Sci. 2016 May;20(5):324-335. doi: 10.1016/j.tics.2016.03.006.
6
The perception of gloss: a review.光泽感的认知:综述
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Interaction of depth probes and style of depiction.深度探测器与描绘风格的相互作用。
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Iperception. 2011;2(7):679-96. doi: 10.1068/i0459aap. Epub 2011 Oct 27.
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