Associate professor of anthropology and�director�of the Research�Program on Global Health and Human Rights at the Human Rights Institute, University of Connecticut, Storrs, Connecticut,�USA.
Health Hum Rights. 2019 Jun;21(1):163-177.
In 2013-14, the Smithsonian-affiliated David J. Sencer Museum at the US Centers for Disease Control and Prevention (CDC) in Atlanta, Georgia, hosted an original exhibition with an eye-catching title: "Health Is a Human Right: Race and Place in America." Given the American government's entrenched resistance to health-related human rights claims, the staging of an exhibition with this title at a museum described as the public face of CDC was striking. Taking this apparent disjuncture as point of departure, this article examines the origins, aims, and content of the "Health Is A Human Right" exhibition, which attracted nearly 50,000 visitors. Drawing on qualitative research findings, the article engages three interrelated questions: First, how can this exhibition, in this particular locale, be reconciled-if at all-with the absence of any firm right to health commitment in the United States? Second, what does the exhibition reveal about the "social life" of health-related human rights claims? Finally, what might we learn from the exhibition about the potential role of museums and museology in sparking public engagement with health and human rights issues, especially in settings where human rights have some rhetorical power but lack legal or political traction?
2013-14 年,位于佐治亚州亚特兰大市的美国疾病控制与预防中心(CDC)下属史密森学会大卫·J·森瑟博物馆举办了一场名为“健康是一项人权:美国的种族与地域”的原创展览。考虑到美国政府对与健康相关的人权主张的根深蒂固的抵制,在一个被描述为 CDC 公众形象的博物馆举办一场以此为题的展览是引人注目的。本文以这一明显的脱节为出发点,探讨了这场吸引了近 5 万名参观者的“健康是一项人权”展览的起源、目的和内容。本文利用定性研究的结果,提出了三个相互关联的问题:首先,如果有的话,在这个特定的场所,如何调和这个展览与美国对健康权缺乏坚定承诺之间的矛盾?其次,该展览揭示了与健康相关的人权主张的“社会生活”是什么?最后,我们可以从该展览中学到什么,关于博物馆和博物馆学在激发公众对健康和人权问题的参与方面的潜在作用,特别是在人权具有一定修辞力量但缺乏法律或政治影响力的环境中?