DiMeC, Università di Parma, Parma, Italy.
Department of Psychological Science, University of Liverpool, Liverpool, United Kingdom.
PLoS One. 2019 Jul 17;14(7):e0218663. doi: 10.1371/journal.pone.0218663. eCollection 2019.
Earlier work by one of us examined a historical corpus of portraits and found that artists often paint the subject such that one eye is centred horizontally. If due to psychological mechanisms constraining artistic composition, this eye-centring bias should be detectable also in portraits by non-professionals. However, this finding has been questioned both on theoretical and empirical grounds. Here we tested eye-centring in a larger (N ~ = 4000) and more representative set of selfies spontaneously posted on Instagram from six world cities. In contrast with previous selfie results, the distribution of the most-centred eye position peaked almost exactly at the horizontal centre of the image and was statistically different from predictions based on realistic Monte-Carlo predictions. In addition, we observed a small but statistically reliable pseudoneglect effect as well as a preference for centring the left-eye. An eye-centring tendency appears to exist in self-portraits by non-artists.
我们中的一位早期的工作研究了一组历史肖像画的作品,发现艺术家经常将画作中的主体的一只眼睛画在水平中心位置上。如果由于心理机制限制了艺术构图,那么这种眼睛中心的偏差在非专业人士的肖像画中也应该可以被检测到。然而,这一发现从理论和经验上都受到了质疑。在这里,我们在更大的(N~=4000)和更具代表性的一组自拍中测试了眼睛中心的位置,这些自拍是在六个世界城市的 Instagram 上自发发布的。与之前的自拍结果不同,最集中的眼睛位置的分布几乎正好在图像的水平中心,并且与基于现实的蒙特卡罗预测的预测有统计学上的差异。此外,我们还观察到了一个较小但具有统计学意义的伪忽视效应,以及对左眼中心的偏好。非艺术家的自画像中似乎存在一种眼睛中心的倾向。