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音乐意象中的心理控制:一种双成分模型。

Mental Control in Musical Imagery: A Dual Component Model.

作者信息

Cotter Katherine N

机构信息

Department of Psychology, University of North Carolina at Greensboro, Greensboro, NC, United States.

出版信息

Front Psychol. 2019 Aug 21;10:1904. doi: 10.3389/fpsyg.2019.01904. eCollection 2019.

Abstract

Hearing music in your head is a ubiquitous experience, but the role mental control plays in these experiences has not been deeply addressed. In this conceptual analysis, a dual-component model of mental control in musical imagery experiences is developed and discussed. The first component, initiation, refers to whether the musical imagery experience began voluntarily or involuntarily. The second component, management, refers to instances of control that occur after the experience has begun (e.g., changing the song, stopping the experience). Given the complex nature of this inner experience, we propose a new model combining and integrating four literatures: lab-based auditory imagery research using musical stimuli; involuntary musical imagery; mental rehearsal and composition in musicians; and studies of musical imagery in everyday environments. These literatures support the contention that mental control of musical imagery is multi-faceted. Future research should investigate these two components of mental control and better integrate the diverse literatures on musical imagery.

摘要

在脑海中听到音乐是一种普遍存在的体验,但心理控制在这些体验中所起的作用尚未得到深入探讨。在这一概念分析中,我们提出并讨论了音乐意象体验中心理控制的双成分模型。第一个成分是启动,指的是音乐意象体验是自愿还是非自愿开始的。第二个成分是管理,指的是体验开始后发生的控制情况(例如,更换歌曲、停止体验)。鉴于这种内在体验的复杂性,我们提出了一个新的模型,该模型结合并整合了四个文献领域:使用音乐刺激的基于实验室的听觉意象研究;非自愿音乐意象;音乐家的心理排练和作曲;以及日常环境中的音乐意象研究。这些文献支持了音乐意象的心理控制是多方面的这一观点。未来的研究应该调查心理控制的这两个成分,并更好地整合关于音乐意象的各种文献。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/6c11/6712095/93a47944d1cf/fpsyg-10-01904-g001.jpg

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