Department of Psychology, University of North Carolina at Greensboro, United States.
Conscious Cogn. 2013 Dec;22(4):1163-73. doi: 10.1016/j.concog.2013.07.006. Epub 2013 Sep 8.
In two studies, we explored the frequency and phenomenology of musical imagery. Study 1 used retrospective reports of musical imagery to assess the contribution of individual differences to imagery characteristics. Study 2 used an experience sampling design to assess the phenomenology of musical imagery over the course of one week in a sample of musicians and non-musicians. Both studies found episodes of musical imagery to be common and positive: people rarely wanted such experiences to end and often heard music that was personally meaningful. Several variables predicted musical imagery, including personality, musical preferences, and positive mood. Musicians tended to hear musical imagery more often, but they reported less frequent episodes of deliberately-generated imagery. Taken together, the present research provides new insights into individual differences in musical imagery, and it supports the emerging view that such experiences are common, positive, and more voluntary than previously recognized.
在两项研究中,我们探讨了音乐意象的频率和现象学。研究 1 使用音乐意象的回顾性报告来评估个体差异对意象特征的贡献。研究 2 使用经验取样设计在音乐家和非音乐家样本中评估一周内音乐意象的现象学。这两项研究都发现音乐意象是常见且积极的:人们很少希望这样的体验结束,并且经常听到对他们个人有意义的音乐。一些变量可以预测音乐意象,包括个性、音乐偏好和积极的情绪。音乐家往往更频繁地听到音乐意象,但他们报告的刻意产生的意象的频率较低。总的来说,本研究为音乐意象的个体差异提供了新的见解,并支持了这样一种观点,即这种体验是常见的、积极的,比以前认识到的更具自主性。