Tilburg School of Humanities and Digital Sciences, Department of Communication and Cognition, Tilburg center for Cognition and Communication, Tilburg University, P.O. Box 90153, 5000 LE, Tilburg, The Netherlands.
Psychon Bull Rev. 2020 Apr;27(2):266-285. doi: 10.3758/s13423-019-01670-1.
Visual narratives of sequential images - as found in comics, picture stories, and storyboards - are often thought to provide a fairly universal and transparent message that requires minimal learning to decode. This perceived transparency has led to frequent use of sequential images as experimental stimuli in the cognitive and psychological sciences to explore a wide range of topics. In addition, it underlines efforts to use visual narratives in science and health communication and as educational materials in both classroom settings and across developmental, clinical, and non-literate populations. Yet, combined with recent studies from the linguistic and cognitive sciences, decades of research suggest that visual narratives involve greater complexity and decoding than widely assumed. This review synthesizes observations from cross-cultural and developmental research on the comprehension and creation of visual narrative sequences, as well as findings from clinical psychology (e.g., autism, developmental language disorder, aphasia). Altogether, this work suggests that understanding the visual languages found in comics and visual narratives requires a fluency that is contingent on exposure and practice with a graphic system.
视觉序列图像叙事——如漫画、图画故事和故事板中所呈现的——通常被认为提供了一种相当普遍和透明的信息,只需最小限度的学习就能解码。这种被感知到的透明性导致了在认知和心理学科学中频繁使用序列图像作为实验刺激物,以探索广泛的主题。此外,它强调了在科学和健康传播中使用视觉叙事的努力,以及在课堂环境中和在发展、临床和非识字人群中作为教育材料的努力。然而,结合语言学和认知科学的最新研究,数十年来的研究表明,视觉叙事比普遍认为的要复杂和难以解码。这篇综述综合了跨文化和发展研究中对视觉叙事序列的理解和创作的观察结果,以及临床心理学(例如,自闭症、发育性语言障碍、失语症)的发现。总的来说,这项工作表明,理解漫画和视觉叙事中发现的视觉语言需要一种流畅性,这种流畅性取决于对图形系统的接触和实践。