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复杂舞蹈序列中的全身运动学和协调性:不同技能水平的差异。

Whole-body kinematics and coordination in a complex dance sequence: Differences across skill levels.

机构信息

University of Sydney, Australia; Charles Sturt University, Australia.

University of Sydney, Australia.

出版信息

Hum Mov Sci. 2020 Feb;69:102564. doi: 10.1016/j.humov.2019.102564. Epub 2019 Dec 21.

Abstract

This study examined differences across skill levels in the kinematics of a complex, whole-body, asymmetrical, cyclical dance sequence, the 'Alternate Basic' in Cha-Cha-Cha, to determine whether observed differences were consistent with Bernstein's (1967) model of development of coordination. Bernstein proposed that with novel motor skills, beginners move their bodies rigidly and spastically, freezing kinematic degrees of freedom (DOF) to constrain the motor system. As the skill becomes practised, the DOF unfreeze and movements become more dynamic, allowing the integration of reactional elements (passive forces, moments, etc.) and organisation of more complex coordinative structures. Twenty-nine dancers - beginners (n = 10), intermediates (n = 10), experts (n = 9) - performed 12 cycles of the dance sequence (total duration ~60 s). Three-dimensional kinematic data from 36 joint angles were collected using a 14-camera infrared motion capture system. Most joints displayed increased amplitude and speed of movement, especially early in skill progression (beginner-intermediate stage), with no evidence of any decreases, showing that unfreezing occurred around the general movement pattern early. Speed of movement continued to increase later (intermediate-expert stage), as well as further unfreezing of the upper limbs. Changes to intra-limb couplings were limited, comprising some early reductions in coupling strength. Principal component analyses (PCA) showed that the structure of movement became more organised with increased skill. There was an early reduction in the number of coordinative structures, while later, movement was integrated more into the first coordinative structure. As predicted by Bernstein's coordination development model, therefore, the kinematic DOF unfroze as skill level progressed, leading to increased organisation of coordinative structures. The results of this study support the importance of a whole-body perspective in studies of coordination, with incorporation of kinetic variables in future research in order to examine the role that reactional elements play in motor skill development.

摘要

本研究考察了复杂的、全身性的、非对称的、周期性舞蹈序列“恰恰舞的交替基本步”在运动学方面的技能水平差异,以确定观察到的差异是否与伯恩斯坦(1967)的协调发展模式一致。伯恩斯坦提出,对于新的运动技能,初学者的身体动作僵硬且痉挛,冻结运动自由度(DOF)以限制运动系统。随着技能的练习,DOF 解冻,动作变得更加动态,从而允许反应元素(被动力、力矩等)的整合和更复杂协调结构的组织。29 名舞者——初学者(n=10)、中级(n=10)、专家(n=9)——完成了 12 个舞蹈序列循环(总时长约 60 秒)。使用 14 个摄像头的红外运动捕捉系统收集了 36 个关节角度的三维运动学数据。大多数关节的运动幅度和速度增加,尤其是在技能发展早期(初学者到中级阶段),没有任何降低的迹象,这表明自由度的解冻大约发生在一般运动模式的早期。速度的提高在后期(中级到专家阶段)仍在继续,上肢的自由度解冻也在继续。肢体内部耦合的变化有限,主要包括耦合强度的早期降低。主成分分析(PCA)表明,随着技能的提高,运动结构变得更加有序。协调结构的数量早期减少,而后期运动更多地整合到第一个协调结构中。因此,正如伯恩斯坦的协调发展模式所预测的那样,随着技能水平的提高,运动自由度解冻,导致协调结构的组织性增强。本研究的结果支持了在协调研究中采用整体观点的重要性,未来的研究需要纳入动力学变量,以研究反应元素在运动技能发展中的作用。

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