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母语语言经验对音乐旋律和节奏感知的影响。

Perception of musical melody and rhythm as influenced by native language experience.

作者信息

Zhang Linjun, Xie Songcheng, Li Yu, Shu Hua, Zhang Yang

机构信息

Beijing Advanced Innovation Center for Language Resources and College of Chinese Studies, Beijing Language and Culture University, Beijing 100083, China.

Department of Applied Psychology, Beijing Normal University-Hong Kong Baptist University United International College (UIC), Zhuhai, Guangdong 519087, China.

出版信息

J Acoust Soc Am. 2020 May;147(5):EL385. doi: 10.1121/10.0001179.

Abstract

This study used the Musical Ear Test [Wallentin, Nielsen, Friis-Olivarius, Vuust, and Vuust (2010). Learn. Indiv. Diff. 20, 188-196] to compare musical aptitude of native Japanese and Chinese speakers. Although the two groups had similar overall accuracy, they showed significant differences in subtest performance. Specifically, the Chinese speakers outperformed the Japanese counterparts on the melody subtest, but the reverse was observed on the rhythm subtest. Within-group comparisons revealed that Chinese speakers performed better on the melody subtest than the rhythm subtest, while Japanese speakers showed an opposite trend. These results indicate that native language pitch and durational patterns of the listener can have a profound effect on the perception of music melody and rhythm, respectively, reflecting language-to-music transfer of learning.

摘要

本研究采用音乐听力测试[瓦伦丁、尼尔森、弗里斯 - 奥利瓦里乌斯、武斯特和武斯特(2010年)。《学习与个体差异》20,188 - 196]来比较以日语和汉语为母语者的音乐才能。尽管两组的总体准确率相似,但在子测试表现上存在显著差异。具体而言,汉语母语者在旋律子测试中的表现优于日语母语者,但在节奏子测试中则相反。组内比较显示,汉语母语者在旋律子测试中的表现优于节奏子测试,而日语母语者则呈现相反趋势。这些结果表明,听众的母语音高和时长模式可分别对音乐旋律和节奏的感知产生深远影响,反映了学习过程中从语言到音乐的迁移。

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