Silvén Hagström Anneli
Department of Social Work, Stockholm University, Stockholm, Sweden.
Front Psychol. 2020 Jun 16;11:1129. doi: 10.3389/fpsyg.2020.01129. eCollection 2020.
Existing research shows that family members who suffer the loss of a loved one through suicide often experience self-blame and shame, and that this limits their grieving process. It can also lock them into stigmatized positions and the notion that either or a is to blame for the suicide.
This article investigates from a narrative perspective how a theater play might counteract the stigma that surrounds suicide bereavement by contributing destigmatizing understandings of suicide.
A theater play was performed in a churchyard theater in Stockholm, Sweden, in 2019. Audience members were asked to write down their free reflections on a form distributed at the theater. In particular, they were asked to assess they found the play related to their own lives and, if so, ; and to describe they had learned. Their written reflections [ = 41] were analyzed from a narrative methodological perspective to investigate their responses to the play. Three categories of audience member were identified from their responses: people with their own suicide bereavement experiences; people with similar but different experiences of stigmatized trauma; and people who did not report any experiences of suicide or stigmatized trauma.
The suicide-bereaved generally reported familiarity with the thematic performed, in particular the "why question," the blame and shame responses and the silenced family communication. Most of these aspects were also shared by those affected by other types of stigmatized trauma. Respondents from all categories emphasized how they had learned that suicide is a desperate rather than a deliberated act, caused by overwhelming emotional pain or depression. Ultimately, suicide was perceived as an involuntary death caused by complex interacting factors linked to both inner vulnerabilities and stressful life events, for which no one was to blame.
The results show that research-based theater isa time-limited and cost-effective method of introducing alternative meanings and identities to both individual mourners and the broader cultural context from which stigma originates, and how it can have destigmatizing effects on a stigmatized trauma such as suicide bereavement.
现有研究表明,因亲人自杀而痛失所爱之人的家庭成员常常会自责和感到羞耻,而这限制了他们的悲痛过程。这还会使他们陷入被污名化的境地,并认为自杀是由[某人或某事]导致的。
本文从叙事角度研究一部戏剧如何通过提供对自杀的去污名化理解来消除围绕自杀丧亲之痛的污名。
2019年,一部戏剧在瑞典斯德哥尔摩的一座教堂庭院剧院上演。观众被要求在剧院发放的表格上写下他们的自由思考。特别地,他们被要求评估他们发现这部戏剧与自己生活的关联程度,如果有关联,是哪些方面;并描述他们学到了什么。从叙事方法论的角度对他们的书面思考(n = 41)进行分析,以研究他们对这部戏剧的反应。从他们的反应中识别出三类观众:有自己自杀丧亲经历的人;有类似但不同的被污名化创伤经历的人;以及没有报告任何自杀或被污名化创伤经历的人。
经历过自杀丧亲之痛的人普遍表示熟悉所表演的主题,特别是“为什么问题”、责备和羞耻反应以及沉默的家庭沟通。其他类型的被污名化创伤的受害者也大多有这些方面的经历。所有类别的受访者都强调,他们了解到自杀是一种绝望而非蓄意的行为,是由压倒性的情感痛苦或抑郁导致的。最终,自杀被视为由与内在脆弱性和压力性生活事件相关的复杂相互作用因素引起的非自愿死亡,对此没有人应受责备。
结果表明,基于研究的戏剧是一种限时且经济高效的方法,可为个体哀悼者以及污名产生的更广泛文化背景引入不同的意义和身份认同,以及它如何能对诸如自杀丧亲之痛这样的被污名化创伤产生去污名化效果。