Greber Marielle, Jäncke Lutz
Division Neuropsychology, Department of Psychology, University of Zurich, Zurich, Switzerland.
University Research Priority Program (URPP), Dynamics of Healthy Aging, University of Zurich, Zurich, Switzerland.
Front Hum Neurosci. 2020 Nov 12;14:585505. doi: 10.3389/fnhum.2020.585505. eCollection 2020.
Pitch labeling in absolute pitch (AP), the ability to recognize the pitch class of a sound without an external reference, is effortless, fast, and presumably automatic. Previous studies have shown that pitch labeling in AP can interfere with task demands. In the current study, we used a cued auditory Go/Nogo task requiring same/different decisions to investigate both behavioral and electrophysiological correlates of increased inhibitory demands related to automatic pitch labeling. The task comprised two Nogo conditions: a Nogo condition with pitch differences larger than one semitone, and a second Nogo condition with pitch differences of only a quarter semitone. The first Nogo condition tested if auditory-related inhibition processes are generally altered in AP musicians. The second Nogo condition tested the suppressibility of the pitch labeling using a Stroop-like effect: the two tones belonged to the same pitch class but were not identical in terms of tone frequency. If pitch labeling cannot be suppressed, the conflicting information would be expected to increase the inhibitory load in AP musicians. Our data provided no evidence for an increased difficulty to inhibit a prepotent response or to suppress conflicting pitch-labeling information in AP: AP musicians showed similar commission error rates as non-AP musicians in both Nogo conditions. N2d and P3d amplitudes of AP musicians were also comparable to those of non-AP musicians. The event-related potentials (ERPs) were, however, modulated by the Nogo condition, probably indicating an effect of stimulus similarity. It is possible that, depending on the context, pitch labeling in AP musicians is not entirely automatic and can be suppressed.
绝对音高(AP)中的音高标记,即无需外部参照就能识别声音音高类别的能力,是轻松、快速且大概是自动的。先前的研究表明,绝对音高中的音高标记会干扰任务要求。在当前的研究中,我们使用了一种线索化听觉Go/Nogo任务,要求做出相同/不同的判断,以研究与自动音高标记相关的抑制需求增加的行为和电生理相关性。该任务包括两种Nogo条件:一种是音高差异大于一个半音的Nogo条件,另一种是音高差异仅为四分之一个半音的Nogo条件。第一种Nogo条件测试了与听觉相关的抑制过程在绝对音高音乐家身上是否普遍发生改变。第二种Nogo条件使用类似斯特鲁普效应的方法测试了音高标记的可抑制性:这两个音调属于同一音高类别,但在音调频率方面并不相同。如果音高标记无法被抑制,那么相互冲突的信息预计会增加绝对音高音乐家的抑制负荷。我们的数据没有提供证据表明在绝对音高中抑制优势反应或抑制相互冲突的音高标记信息会增加难度:在两种Nogo条件下,绝对音高音乐家的错误率与非绝对音高音乐家相似。绝对音高音乐家的N2d和P3d波幅也与非绝对音高音乐家相当。然而,事件相关电位(ERP)受到Nogo条件的调制,这可能表明了刺激相似性的影响。有可能根据具体情境,绝对音高音乐家的音高标记并非完全自动,而是可以被抑制的。