Trinity Centre for Healthcare Practice and Innovation, School of Nursing and Midwifery, Trinity College Dublin, Dublin, Ireland.
Psychology of Media and Entertainment Lab, School of Psychology, University College Dublin, Dublin, Ireland.
Eur J Pain. 2021 Sep;25(8):1712-1722. doi: 10.1002/ejp.1780. Epub 2021 May 6.
Self-selected music is consistently found to be the strongest predictor for successful music listening interventions in pain management contexts, but the specific cognitive mechanisms that mediate these effects are currently unknown.
The aim of this study was to isolate the role of cognitive agency on pain tolerance in music listening interventions, independently from parallel effects related to enjoyment. Additionally, the study examines the role of intramusical features and individual attributes related to musical engagement.
Fifty-two participants completed a repeated measures experiment, which involved listening to six different pieces of music while completing the cold pressor task. Cognitive agency was operationalized by giving participants different degrees of perceived control over the music selection, when in fact it was pre-determined by the experimenter.
A generalized linear mixed model was used to analyse the impact of perceived choice and intramusical features on pain tolerance measured in terms of duration on the cold pressor task, pain intensity and pain unpleasantness. Increased levels of perceived choice predicted increases in pain tolerance when enjoyment was accounted for. Individual levels of trait empathy and sophisticated emotional engagement with music also contributed to the effects. Intramusical features did not predict increases in pain tolerance.
This study demonstrates that the reason self-selected music is particularly effective in reducing pain is related to the act of making a choice over the music itself. This study provides support for the cognitive vitality model and emphasizes the importance of giving people as much control as possible in music interventions.
This study identifies that the act of selecting music contributes to increases in pain tolerance in parallel with the independent factor of enjoyment. This provides support for the role of cognitive agency in mediating the analgesic effects of music interventions, which suggests that people should be given as much control as possible in music interventions. Additionally, this study identifies specific individual attributes related to emotional engagement and empathy that amplify the effect of cognitive agency.
自我选择的音乐始终被发现是疼痛管理情境中成功音乐干预的最强预测因素,但介导这些效果的具体认知机制目前尚不清楚。
本研究的目的是分离认知能动性在音乐干预中对疼痛耐受性的作用,独立于与享受相关的平行效应。此外,该研究还考察了与音乐参与相关的音乐内在特征和个体属性的作用。
52 名参与者完成了一项重复测量实验,该实验涉及在完成冷压任务时听六首不同的音乐。认知能动性是通过给予参与者在音乐选择上不同程度的感知控制来实现的,而实际上这是由实验者预先确定的。
使用广义线性混合模型分析了感知选择和音乐内在特征对疼痛耐受性的影响,疼痛耐受性的衡量标准是冷压任务的持续时间、疼痛强度和疼痛不适程度。在考虑到享受程度的情况下,感知选择水平的提高预测疼痛耐受性的提高。特质同理心和对音乐的复杂情感参与的个体水平也对这些效果做出了贡献。音乐内在特征不能预测疼痛耐受性的提高。
本研究表明,自我选择的音乐特别有效地减轻疼痛的原因与选择音乐本身的行为有关。本研究支持认知活力模型,并强调在音乐干预中给予人们尽可能多的控制的重要性。
本研究表明,选择音乐的行为与独立的享受因素一起增加了疼痛耐受性。这为认知能动性在介导音乐干预的镇痛效果提供了支持,这表明在音乐干预中应尽可能给予人们控制。此外,本研究还确定了与情感参与和同理心相关的特定个体属性,这些属性放大了认知能动性的作用。