Department of Biological and Experimental Psychology School of Biological and Experimental Psychology, Queen Mary University of London, London, United Kingdom.
School of Psychology, University College Dublin, Belfield, Dublin, Ireland.
PLoS One. 2022 Aug 3;17(8):e0271329. doi: 10.1371/journal.pone.0271329. eCollection 2022.
Music is increasingly being recognised as an adjuvant treatment for pain management. Music can help to decrease the experience of both chronic and experimental pain. Cognitive agency has been identified as a specific mechanism that may mediate the analgesic benefits of music engagement however, it is unclear if this specific mechanism translates to acute pain. Previous attempts to understand the cognitive mechanisms that underpin music analgesia have been predominantly lab-based, limiting the extent to which observed effects may apply to participants' everyday lives. Addressing these gaps, in naturalistic settings, the present study examined the degree to which cognitive agency (i.e., perceived choice in music), music features (i.e., complexity), and individual levels of musical sophistication were related to perceived pain. In an online global experiment, using a randomised between groups experimental design with two levels for choice (no choice and perceived choice) and two levels for music (high and low complexity), a sample of 286 adults experiencing acute pain reported their pain intensity and pain unpleasantness pre- and post-music listening. A bespoke piece of music was co-created with a commercial artist to enable the manipulation of music complexity while controlling for familiarity, while facilitating an authentic music listening experience. Overall, findings demonstrated that increased perceived control over music is associated with analgesic benefits, and that perceived choice is more important than music complexity. Highlighting the importance of listener engagement, people who reported higher levels of active engagement experienced greater decreases of pain intensity in the perceived choice condition, than those who reported lower levels of active engagement. These findings have implications for both research and practice, emphasising the importance of facilitating freedom of choice, and sustained engagement with music throughout music listening interventions.
音乐正逐渐被视为疼痛管理的辅助治疗方法。音乐可以帮助减轻慢性和实验性疼痛的体验。认知代理已被确定为可能介导音乐参与的镇痛益处的特定机制,但尚不清楚这种特定机制是否适用于急性疼痛。以前试图理解支持音乐镇痛的认知机制主要是基于实验室的,这限制了观察到的效果可能适用于参与者日常生活的程度。为了弥补这些差距,在自然环境中,本研究检查了认知代理(即音乐中的感知选择)、音乐特征(即复杂性)和个人音乐素养水平与感知疼痛之间的关联程度。在一项在线全球实验中,使用具有两个选择水平(无选择和感知选择)和两个音乐水平(高复杂性和低复杂性)的随机分组实验设计,一组 286 名经历急性疼痛的成年人报告了他们在听音乐前后的疼痛强度和疼痛不适程度。与商业艺术家合作创作了一首定制音乐,以实现音乐复杂性的操纵,同时控制熟悉度,同时促进真实的音乐聆听体验。总体而言,研究结果表明,对音乐的控制感增加与镇痛益处相关,而且感知选择比音乐复杂性更重要。强调听众参与的重要性,报告高水平积极参与的人在感知选择条件下经历的疼痛强度降低比报告低水平积极参与的人更大。这些发现对研究和实践都有意义,强调了促进选择自由以及在音乐聆听干预过程中保持与音乐持续互动的重要性。