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关于极高频率下复音的音程感知

On musical interval perception for complex tones at very high frequencies.

作者信息

Gockel Hedwig E, Carlyon Robert P

机构信息

Cambridge Hearing Group, MRC Cognition and Brain Sciences Unit, University of Cambridge, 15 Chaucer Road, Cambridge CB2 7EF, United Kingdom.

出版信息

J Acoust Soc Am. 2021 Apr;149(4):2644. doi: 10.1121/10.0004222.

DOI:10.1121/10.0004222
PMID:33940917
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC7612123/
Abstract

Listeners appear able to extract a residue pitch from high-frequency harmonics for which phase locking to the temporal fine structure is weak or absent. The present study investigated musical interval perception for high-frequency harmonic complex tones using the same stimuli as Lau, Mehta, and Oxenham [J. Neurosci. 37, 9013-9021 (2017)]. Nine young musically trained listeners with especially good high-frequency hearing adjusted various musical intervals using harmonic complex tones containing harmonics 6-10. The reference notes had fundamental frequencies (F0s) of 280 or 1400 Hz. Interval matches were possible, albeit markedly worse, even when all harmonic frequencies were above the presumed limit of phase locking. Matches showed significantly larger systematic errors and higher variability, and subjects required more trials to finish a match for the high than for the low F0. Additional absolute pitch judgments from one subject with absolute pitch, for complex tones containing harmonics 1-5 or 6-10 with a wide range of F0s, were perfect when the lowest frequency component was below about 7 kHz, but at least 50% of responses were incorrect when it was 8 kHz or higher. The results are discussed in terms of the possible effects of phase-locking information and familiarity with high-frequency stimuli on pitch.

摘要

听众似乎能够从高频谐波中提取残留音高,而对于这些高频谐波,与时间精细结构的锁相作用微弱或不存在。本研究使用与Lau、Mehta和Oxenham [《神经科学杂志》37, 9013 - 9021 (2017)]相同的刺激,研究了高频谐波复合音的音乐音程感知。九名经过音乐训练且高频听力特别好的年轻听众,使用包含谐波6 - 10的谐波复合音来调整各种音乐音程。参考音符的基频(F0)为280或1400 Hz。即使所有谐波频率都高于假定的锁相极限,音程匹配也是可能进行的,尽管明显更差。匹配显示出显著更大的系统误差和更高的变异性,并且与低F0相比,受试者完成高F0匹配所需的试验更多。来自一名具有绝对音高的受试者的额外绝对音高判断,对于包含1 - 5或6 - 10谐波且F0范围广泛的复合音,当最低频率分量低于约7 kHz时判断是完美的,但当最低频率分量为8 kHz或更高时,至少50%的反应是错误的。我们从锁相信息和对高频刺激的熟悉程度对音高的可能影响方面讨论了这些结果。

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引用本文的文献

1
Effect of diotic versus dichotic presentation on the pitch perception of tone complexes at medium and very high frequencies.双声道与立体声声源对中频和极高频率复合音音高感知的影响。
Sci Rep. 2023 Aug 15;13(1):13247. doi: 10.1038/s41598-023-40122-8.

本文引用的文献

1
Pitch perception at very high frequencies: On psychometric functions and integration of frequency information.极高频率下的音高感知:关于心理测量函数与频率信息整合
J Acoust Soc Am. 2020 Nov;148(5):3322. doi: 10.1121/10.0002668.
2
Consonance perception beyond the traditional existence region of pitch.协和感知超越传统音高存在区域。
J Acoust Soc Am. 2019 Oct;146(4):2279. doi: 10.1121/1.5127845.
3
Universal and Non-universal Features of Musical Pitch Perception Revealed by Singing.通过歌唱揭示音乐音高感知的普遍和非普遍特征。
Curr Biol. 2019 Oct 7;29(19):3229-3243.e12. doi: 10.1016/j.cub.2019.08.020. Epub 2019 Sep 19.
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High-resolution frequency tuning but not temporal coding in the human cochlea.人耳蜗的高分辨率频率调谐而非时间编码。
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Superoptimal Perceptual Integration Suggests a Place-Based Representation of Pitch at High Frequencies.超优感知整合表明高频处音高存在基于位置的表征。
J Neurosci. 2017 Sep 13;37(37):9013-9021. doi: 10.1523/JNEUROSCI.1507-17.2017. Epub 2017 Aug 17.
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Assessment of the limits of neural phase-locking using mass potentials.利用群体电位评估神经锁相的限度。
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Re-examining the upper limit of temporal pitch.重新审视时间音高的上限。
J Acoust Soc Am. 2014 Dec;136(6):3186. doi: 10.1121/1.4900917.