Margolies Daniel S, Strub J A
History Department, Virginia Wesleyan University, Virginia Beach, VA, United States.
Butler School of Music, University of Texas-Austin, Austin, TX, United States.
Front Psychol. 2021 May 31;12:648010. doi: 10.3389/fpsyg.2021.648010. eCollection 2021.
This article examines two interrelated aspects of Mexican regional music response to the coronavirus crisis in the música huasteca community: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. Both the livestreams and the newly created coronavirus disease (COVID) verses reflect critical improvisatory approaches to the pandemic in música huasteca. The interactive livestreams signaled an community infrastructure facilitated by social media and an emerging community space fostered by Do-It-Yourself (DIY) activists. Improvised COVID-related verses presented resonant local and regional themes as a community response to a global crisis. Digital ethnography conducted since March 2020 revealed a regional burst of musical creativity coupled with DIY intentionality, a leveling of access to virtual community spaces, and enhanced digital intimacies established across a wide cultural diaspora in Mexico and the USA. These responses were musically, poetically, and organizationally improvisational, as was the overall outpouring of the son huasteco music inspired by the coronavirus outbreak. Son huasteco is a folk music tradition from the Huasteca, a geo-cultural region spanning the intersection of six states in central Mexico. This study examines a selection of musical responses by discussing improvisational examples in both Spanish and the indigenous language Nahuatl, and in the virtual musical communities of the Huasteca migrant diaspora in digital events such as "Encuentro Virtual de Tríos Huastecos," the "Huapangos Sin Fronteras" festival and competition, and in the nightly gatherings on social media platforms developed during the pandemic to sustain the Huastecan cultural expression. These phenomena have served as vibrant points of transnational connection and identity in a time where physical gatherings were untenable.
互动式瓦潘戈直播的兴起,这是冠状病毒大流行初期一个既有的但新具有重要意义的非正式社区聚会和文化参与空间;以及华斯泰卡之子表演者创作的关于大流行的原创诗句。直播和新创作的冠状病毒病(COVID)诗句都反映了华斯泰卡地区音乐对大流行的关键即兴应对方式。互动式直播标志着由社交媒体促成的社区基础设施以及由自助(DIY)活动家培育的新兴社区空间。即兴创作的与COVID相关的诗句呈现出共鸣的地方和区域主题,作为社区对全球危机的回应。自2020年3月以来进行的数字民族志研究揭示了该地区音乐创造力的爆发,伴随着DIY的意向性、虚拟社区空间获取的平等化,以及在墨西哥和美国广泛的文化散居群体中建立的增强的数字亲密感。这些回应在音乐、诗歌和组织层面都是即兴的,受冠状病毒爆发启发的华斯泰卡之子音乐的整体涌现也是如此。华斯泰卡之子是一种来自华斯泰卡地区的民间音乐传统,华斯泰卡是一个跨越墨西哥中部六个州交界处的地理文化区域。本研究通过讨论西班牙语和本土语言纳瓦特尔语中的即兴示例,以及在诸如“华斯泰卡三重奏虚拟聚会”、“无国界瓦潘戈”音乐节和比赛等数字活动中,以及在大流行期间为维持华斯泰卡文化表达而在社交媒体平台上进行的夜间聚会上,探讨了一系列音乐回应。在实体聚会无法实现的时期,这些现象成为了跨国联系和身份认同的活跃点。