Department of Psychology, Harvard University, Cambridge, MA 02138, USA; Department of Psychological and Brain Sciences, Dartmouth College, Hanover, NH 03755, USA.
Department of Psychology, University of California, Los Angeles, Los Angeles, CA 90095, USA; Brain Research Institute, University of California, Los Angeles, Los Angeles, CA 90095, USA.
Curr Biol. 2021 Dec 6;31(23):5192-5203.e4. doi: 10.1016/j.cub.2021.09.043. Epub 2021 Oct 12.
Emotionally expressive music and dance occur together across the world. This may be because features shared across the senses are represented the same way even in different sensory brain areas, putting music and movement in directly comparable terms. These shared representations may arise from a general need to identify environmentally relevant combinations of sensory features, particularly those that communicate emotion. To test the hypothesis that visual and auditory brain areas share a representational structure, we created music and animation stimuli with crossmodally matched features expressing a range of emotions. Participants confirmed that each emotion corresponded to a set of features shared across music and movement. A subset of participants viewed both music and animation during brain scanning, revealing that representations in auditory and visual brain areas were similar to one another. This shared representation captured not only simple stimulus features but also combinations of features associated with emotion judgments. The posterior superior temporal cortex represented both music and movement using this same structure, suggesting supramodal abstraction of sensory content. Further exploratory analysis revealed that early visual cortex used this shared representational structure even when stimuli were presented auditorily. We propose that crossmodally shared representations support mutually reinforcing dynamics across auditory and visual brain areas, facilitating crossmodal comparison. These shared representations may help explain why emotions are so readily perceived and why some dynamic emotional expressions can generalize across cultural contexts.
情感表达的音乐和舞蹈在全世界范围内同时出现。这可能是因为即使在不同的感官大脑区域中,共享的感官特征也以相同的方式表示,从而使音乐和运动可以直接进行比较。这些共同的表示可能源于识别与环境相关的感官特征组合的一般需求,特别是那些传达情感的特征。为了检验视觉和听觉大脑区域具有共同表示结构的假设,我们创建了具有跨模态匹配特征的音乐和动画刺激,这些特征表达了一系列情感。参与者证实,每种情感都对应于音乐和运动中共享的一组特征。一部分参与者在大脑扫描期间同时观看音乐和动画,结果表明听觉和视觉大脑区域的表示彼此相似。这种共同的表示不仅捕捉到了简单的刺激特征,还捕捉到了与情感判断相关的特征组合。后上颞叶皮层使用相同的结构来表示音乐和运动,这表明了对感官内容的超模态抽象。进一步的探索性分析表明,即使在听觉呈现刺激时,早期视觉皮层也使用这种共享的表示结构。我们提出,跨模态共享的表示支持听觉和视觉大脑区域之间相互增强的动态,促进了跨模态比较。这些共同的表示可能有助于解释为什么情感如此容易被感知,以及为什么一些动态的情感表达可以在不同的文化背景中通用。