Steenstrup Kristian, Haumann Niels Trusbak, Kleber Boris, Camarasa Carles, Vuust Peter, Petersen Bjørn
The Royal Academy of Music, Aarhus, Denmark.
Center for Music in the Brain, Department of Clinical Medicine, Aarhus University, Aarhus, Denmark.
Front Psychol. 2021 Oct 25;12:757052. doi: 10.3389/fpsyg.2021.757052. eCollection 2021.
Classical musicians face a high demand for flawless and expressive performance, leading to highly intensified practice activity. Whereas the advantage of using mental strategies is well documented in sports research, few studies have explored the efficacy of mental imagery and overt singing on musical instrumental learning. In this study, 50 classically trained trumpet students performed short unfamiliar pieces. Performances were recorded before and after applying four prescribed practice strategies which were (1) physical practice, (2) mental imagery, (3) overt singing with optional use of solfege, (4) a combination of 1, 2 and 3 or a control condition, no practice. Three experts independently assessed pitch and rhythm accuracy, sound quality, intonation, and musical expression in all recordings. We found higher gains in the overall performance, as well as in pitch accuracy for the physical practice, and the combined practice strategies, compared to no practice. Furthermore, only the combined strategy yielded a significant improvement in musical expression. Pitch performance improvement was positively correlated with previous solfege training and frequent use of random practice strategies. The findings highlight benefits from applying practice strategies that complement physical practice in music instrument practice in short term early stages of learning a new piece. The study may generalize to other forms of learning, involving cognitive processes and motor skills.
古典音乐家面临着对完美无瑕且富有表现力的演奏的高要求,这导致了高强度的练习活动。虽然在体育研究中使用心理策略的优势已有充分记录,但很少有研究探讨心理意象和公开演唱对乐器学习的功效。在本研究中,50名接受过古典训练的小号学生演奏了简短的陌生曲目。在应用四种规定的练习策略之前和之后录制了演奏,这四种策略分别是:(1)身体练习,(2)心理意象,(3)使用首调唱名法进行公开演唱,(4)将1、2和3组合使用或作为对照条件,即不进行练习。三位专家独立评估了所有录音中的音高和节奏准确性、音质、音准和音乐表现力。我们发现,与不进行练习相比,身体练习和组合练习策略在整体表现以及音高准确性方面有更大的提升。此外,只有组合策略在音乐表现力方面有显著提高。音高表现的提高与之前的首调唱名法训练以及随机练习策略的频繁使用呈正相关。这些发现突出了在学习新曲目的短期早期阶段,应用补充身体练习的练习策略在乐器练习中的益处。该研究可能推广到其他涉及认知过程和运动技能的学习形式。