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本文引用的文献

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Cross-Cultural Work in Music Cognition: Challenges, Insights, and Recommendations.音乐认知中的跨文化研究:挑战、见解与建议。
Music Percept. 2020 Feb;37(3):185-195. doi: 10.1525/mp.2020.37.3.185. Epub 2020 Feb 1.
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Psychology Within and Without the State.国家内外的心理学。
Annu Rev Psychol. 2022 Jan 4;73:461-487. doi: 10.1146/annurev-psych-020821-110248. Epub 2021 Sep 21.
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Novel vocalizations are understood across cultures.新的发声方式在不同文化中被理解。
Sci Rep. 2021 May 12;11(1):10108. doi: 10.1038/s41598-021-89445-4.
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Culture and human development: Where did it go? And where is it going?文化与人类发展:它去了哪里?又将走向何方?
New Dir Child Adolesc Dev. 2020 Sep;2020(173):101-119. doi: 10.1002/cad.20378.
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Infants relax in response to unfamiliar foreign lullabies.婴儿听到陌生的外国摇篮曲会感到放松。
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Navigating cross-cultural research: methodological and ethical considerations.跨文化研究的方法学和伦理考量。
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Towards a Cognitive Science of the Human: Cross-Cultural Approaches and Their Urgency.迈向人类认知科学:跨文化方法及其紧迫性。
Trends Cogn Sci. 2020 Aug;24(8):620-638. doi: 10.1016/j.tics.2020.05.007. Epub 2020 Jun 10.
8
Universality and diversity in human song.人类歌声的普遍性和多样性。
Science. 2019 Nov 22;366(6468). doi: 10.1126/science.aax0868.
9
Voice pitch: a window into the communication of social power.嗓音音高:窥探社交权力交流的窗口。
Curr Opin Psychol. 2020 Jun;33:154-161. doi: 10.1016/j.copsyc.2019.07.028. Epub 2019 Jul 21.
10
No Evidence That Men's Voice Pitch Signals Formidability.没有证据表明男性的嗓音音高能传达威慑力。
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跨文化的声乐交际:理论与方法问题。

Vocal communication across cultures: theoretical and methodological issues.

机构信息

Department of Communication, Center for Behavior, Evolution, and Culture, University of California, Los Angeles, 2225 Rolfe Hall, Los Angeles, CA 90095-1563, USA.

出版信息

Philos Trans R Soc Lond B Biol Sci. 2022 Jan 3;377(1841):20200387. doi: 10.1098/rstb.2020.0387. Epub 2021 Nov 15.

DOI:10.1098/rstb.2020.0387
PMID:34775828
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC8591381/
Abstract

The study of human vocal communication has been conducted primarily in Western, educated, industrialized, rich, democratic (WEIRD) societies. Recently, cross-cultural investigations in several domains of voice research have been expanding into more diverse populations. Theoretically, it is important to understand how universals and cultural variations interact in vocal production and perception, but cross-cultural voice research presents many methodological challenges. Experimental methods typically used in WEIRD societies are often not possible to implement in many populations such as rural, small-scale societies. Moreover, theoretical and methodological issues are often unnecessarily intertwined. Here, I focus on three areas of cross-cultural voice modulation research: (i) vocal signalling of formidability and dominance, (ii) vocal emotions, and (iii) production and perception of infant-directed speech. Research in these specific areas illustrates challenges that apply more generally across the human behavioural sciences but also reveals promise as we develop our understanding of the evolution of human communication. This article is part of the theme issue 'Voice modulation: from origin and mechanism to social impact (Part II)'.

摘要

人类嗓音交流的研究主要集中在西方、受过教育的、工业化的、富裕的、民主的(WEIRD)社会。最近,在嗓音研究的几个领域中,跨文化的调查研究已经扩展到更多样化的人群。从理论上讲,了解普遍性和文化差异如何在发声和感知中相互作用是很重要的,但跨文化的嗓音研究提出了许多方法上的挑战。在 WEIRD 社会中通常使用的实验方法在许多人群中往往无法实施,如农村、小规模社会。此外,理论和方法问题往往不必要地交织在一起。在这里,我将重点介绍跨文化嗓音调节研究的三个领域:(i)可畏性和支配力的嗓音信号,(ii)嗓音情绪,以及(iii)针对婴儿的语言的产生和感知。这些特定领域的研究说明了在整个人类行为科学中更为普遍的挑战,但也揭示了希望,因为我们正在发展对人类交流进化的理解。本文是主题为“嗓音调节:从起源和机制到社会影响(第二部分)”的一部分。