Jacoby Nori, Margulis Elizabeth Hellmuth, Clayton Martin, Hannon Erin, Honing Henkjan, Iversen John, Klein Tobias Robert, Mehr Samuel A, Pearson Lara, Peretz Isabelle, Perlman Marc, Polak Rainer, Ravignani Andrea, Savage Patrick E, Steingo Gavin, Stevens Catherine J, Trainor Laurel, Trehub Sandra, Veal Michael, Wald-Fuhrmann Melanie
Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Princeton University.
Music Percept. 2020 Feb;37(3):185-195. doi: 10.1525/mp.2020.37.3.185. Epub 2020 Feb 1.
psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of "music" and "culture."
音乐心理学需要跨文化的研究方法,然而到目前为止,该领域的绝大多数研究都是以西方参与者和西方音乐为对象进行的。为了使跨文化研究蓬勃发展,需要来自不同学科背景的人员之间开展合作,同时还需要制定策略来克服假设、方法和术语方面的差异。本立场文件审视了该领域的现状,并针对涉及伦理、实证方法以及“音乐”和“文化”定义等问题提出了一些具体建议。