The Royal Danish Academy - Centre for Visibility Design, Denmark.
The Royal Danish Academy - Centre for Visibility Design, Denmark.
Acta Psychol (Amst). 2022 Aug;228:103623. doi: 10.1016/j.actpsy.2022.103623. Epub 2022 May 31.
It is a long-lasting dispute whether serif or sans serif fonts are more legible. However, different fonts vary on numerous visual parameters, not just serifs. We investigated whether a difference in word identification can be attributed to the presence or absence of serifs or to the contrast of the letter stroke.
Participants performed a word-recognition two-interval, forced-choice task (Exp. 1) and a classic lexical decision task (Exp. 2). In both experiments the word stimuli were set with four new fonts, which were developed to isolate the stylistic features of serif and letter-stroke contrast. Two measures (i.e., font-size threshold & sensitivity) were analysed.
The threshold measure of both experiments yielded a single significant main effect of stroke contrast such that low stroke contrast elicited lower than high stroke contrast. The sensitivity measure of Experiment 1 yielded a single significant effect of the interaction between serifs and stroke contrast. Specifically, at the sans-serif level, low stroke contrast revealed better sensitivity, relative to high stroke contrast. At the serif level, the opposite stroke contrast pattern was observed.
Sans serif fonts with low stroke contrast yield better performance and if a serif font is used, high stroke contrast yields better performance than low stroke contrast. Limitations and future directions are discussed.
衬线字体和无衬线字体哪个更易读一直存在争议。然而,不同的字体在众多视觉参数上存在差异,不仅仅是有无衬线。我们研究了在单词识别中,是有无衬线还是字母笔画的对比度差异导致了这种差异。
参与者在两个实验中分别完成了一个单词识别双区间、强制选择任务(实验 1)和一个经典的词汇判断任务(实验 2)。在这两个实验中,单词刺激都是用四种新开发的字体设置的,这些字体是为了分离衬线字体和字母笔画对比度的风格特征。分析了两个指标(即字体大小阈值和敏感性)。
两个实验的阈值测量都得出了笔画对比度的单一显著主效应,即低笔画对比度比高笔画对比度产生的阈值更低。实验 1 的敏感性测量得出了一个显著的衬线和笔画对比度之间的交互作用效应。具体来说,在无衬线字体水平上,低笔画对比度相对于高笔画对比度表现出更好的敏感性。在衬线字体水平上,观察到了相反的笔画对比度模式。
低笔画对比度的无衬线字体表现更好,如果使用衬线字体,则高笔画对比度比低笔画对比度表现更好。讨论了局限性和未来的方向。