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对摩洛哥非斯卡拉维因清真寺中世纪壁画的拉曼光谱和衰减全反射傅里叶变换红外光谱分析。

Raman and ATR-FTIR analyses of medieval wall paintings from al-Qarawiyyin in Fez (Morocco).

作者信息

Fikri Imane, El Amraoui Mohamed, Haddad Mustapha, Ettahiri Ahmed Saleh, Falguères Christophe, Bellot-Gurlet Ludovic, Lamhasni Taibi, Ait Lyazidi Saadia, Bejjit Lahcen

机构信息

Moulay Ismail University of Meknes - Faculty of Sciences, LASMAR, URL-CNRST, N°7, Meknes, Morocco.

Moulay Ismail University of Meknes - Faculty of Sciences, LASMAR, URL-CNRST, N°7, Meknes, Morocco.

出版信息

Spectrochim Acta A Mol Biomol Spectrosc. 2022 Nov 5;280:121557. doi: 10.1016/j.saa.2022.121557. Epub 2022 Jun 24.

Abstract

A multi-analytical study has been undertaken to characterise wall paintings from the al-Qarawiyyin university in Fez, dating back to the 9th century and still in activity, with the aim of identifying the pigments used and going back to the painting techniques adopted by the Moroccan craftsmen of the time. The investigation crossed Raman and ATR-FTIR structural analyses along with XRF elemental ones, as well as colorimetric measurements. The colours and shades of six representative fragments collected during a recent excavation have been examined. Hence, red ochre (mainly hematite) was used to obtain brown-red colour, calcite for white, bistre for carbon-based black, while blue shades were achieved using azurite. Mixtures of pigments were created to widen the colour palette: cinnabar, minium and hematite were identified in orange hues while lapis lazuli and azurite were observed in grey-blue areas. The exploration of mortar layers revealed gypsum, gypsum/calcite and calcite type plasters. Furthermore, the observation of the morphological aspect of the interface between the plaster and the painting layer seems indicating that the lime-secco-painting skill had been the adopted painting technique.

摘要

一项多分析研究已展开,旨在鉴定非斯卡拉维因大学可追溯至9世纪且仍在使用的壁画的特征,目的是确定所使用的颜料,并追溯当时摩洛哥工匠所采用的绘画技巧。该调查涵盖拉曼光谱和衰减全反射傅里叶变换红外光谱结构分析以及X射线荧光元素分析,还有比色测量。对最近一次挖掘中收集的六个代表性碎片的颜色和色调进行了检查。因此,赤铁矿(主要是赤铁矿)被用于获得棕红色,方解石用于白色,深褐色用于碳基黑色,而蓝色调则使用蓝铜矿实现。通过混合颜料来拓宽调色板:在橙色色调中鉴定出朱砂、铅丹和赤铁矿,在灰蓝色区域观察到青金石和蓝铜矿。对灰泥层的探索揭示了石膏、石膏/方解石和方解石类型的灰泥。此外,对灰泥与绘画层之间界面形态的观察似乎表明,石灰-干壁画绘画技巧是当时采用的绘画技术。

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