Laboratoire de Spectrométrie des Matériaux et Archéomatériaux (LASMAR), Université Moulay Ismail, Faculté des Sciences, Zitoune BP 11201, 50000 Meknès, Morocco.
Laboratoire de Spectrométrie des Matériaux et Archéomatériaux (LASMAR), Université Moulay Ismail, Faculté des Sciences, Zitoune BP 11201, 50000 Meknès, Morocco; Institut National des Sciences de l'Archéologie et du Patrimoine (INSAP), BP 6828, Madinat Al Irfane, Avenue Allal El Fassi, Angle rues 5 et 7, Rabat-Instituts, Morocco.
Spectrochim Acta A Mol Biomol Spectrosc. 2021 Feb 15;247:119093. doi: 10.1016/j.saa.2020.119093. Epub 2020 Oct 16.
One among the most famous ancient parchments in the Islamic world, dating back to the IXth century, along with another contemporary one have been investigated by means of a completely non-invasive multi-techniques analysis combining all of elemental XRF and structural/molecular Raman, ATR-FTIR and FOR spectroscopies besides pHs and colorimetric measurements. The materials initially used in the preparation of the writing supports were identified; in addition to calcite at different extents, the parchments seem to be condensed tannins-pretreated. Furthermore, the exploration of amide I and II vibrational bands and sub-bands illustrated collagen gelatinization and molecular helix disorders phenomena. Parchments and inks degradation products, gypsum and calcium oxalates, have been also identified. In both manuscripts the writing black inks have been characterized as iron gall type. The corrosive effect of these black inks appears deeply damaging the acidic parchment supports. In this case, the high frequency side of the infrared spectrum disappears completely, illustrating thus irreversible parchment degradations. Gum Arabic, when added sufficiently in the black ink recipe, seems preventing the corrosive damaging effect induced by Fe ions spreading from the black ink into the parchment body. Besides, all coloring materials have been identified; gold in gilded scriptures and natural pigments for vocalizations and basic decorations: cinnabar for reds, lapis-lazuli for blue and orpiment/realgar/pararealgar arsenic sulfides for yellow/orange shades. The anthraquinone-based kermesic acid extracted from Kermes female insects had been used for dark pink decorations, while the copper-based pigment verdigris had been synthetized to achieve green motifs. These results enrich the knowledge of ancient writing supports and materials, and highlight technologies and practices developed by middle-ages craftsmen.
这份手稿是世界上最著名的古羊皮纸之一,可追溯到 9 世纪,与另一份同时期的手稿一起,通过结合元素 XRF 和结构/分子拉曼、ATR-FTIR 和 FOR 光谱以及 pH 值和比色测量的完全非侵入性多技术分析进行了研究。确定了最初用于书写支撑材料的物质;除了不同程度的方解石外,羊皮纸似乎经过了缩合单宁预处理。此外,酰胺 I 和 II 振动带和亚带的研究表明存在胶原明胶化和分子螺旋紊乱现象。还鉴定了羊皮纸和墨水降解产物石膏和草酸钙。两份手稿中的书写黑色墨水都被特征化为铁胆素型。这些黑色墨水的腐蚀性似乎对酸性羊皮纸支撑物造成了严重的损害。在这种情况下,红外光谱的高频侧完全消失,从而说明羊皮纸发生了不可逆转的降解。当阿拉伯树胶在黑色墨水配方中添加足够时,似乎可以防止 Fe 离子从黑色墨水扩散到羊皮纸本体中所引起的腐蚀性破坏效应。此外,所有着色材料都已被鉴定;金箔经文上的金和用于声乐和基本装饰的天然颜料:朱砂用于红色,青金石用于蓝色,雄黄/雌黄/砷黄用于黄色/橙色色调。从中提取的蒽醌基胭脂酸用于深粉色装饰,而合成的铜基颜料铜绿则用于实现绿色图案。这些结果丰富了古代书写支撑材料的知识,并突出了中世纪工匠开发的技术和实践。