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《音乐的社会神经科学:通过人类歌曲理解社会大脑》:对 Greenberg 等人(2021 年)的勘误。

"The social neuroscience of music: Understanding the social brain through human song": Correction to Greenberg et al. (2021).

出版信息

Am Psychol. 2022 Jul-Aug;77(5):713. doi: 10.1037/amp0001036.

Abstract

Reports an error in "The social neuroscience of music: Understanding the social brain through human song" by David M. Greenberg, Jean Decety and Ilanit Gordon (, 2021[Oct], Vol 76[7], 1172-1185). In the article, the authors highlight the role of oxytocin in music listening and production. Although there are decades of social neuroscience research supporting the social implications of oxytocin secretion in nonmusical settings, the implications of oxytocin in musical settings remain emergent. for example, although there is indeed evidence that group music making increases oxytocin (e.g., Good & Russo, 2021), there are exceptions that show that oxytocin can decrease (e.g., Fancourt et al., 2016). In the second paragraph of the Neurobiological Candidates section and the third paragraph of the Proposed Model section, the authors note these exceptions and add additional citations in support of the modulation of both oxytocin and cortisol. They also correct their citation of Schladt et al. (2017), whom they had incorrectly cited as showing an increase in oxytocin when their results showed a decrease. The online version of this article has been corrected. (The following abstract of the original article appeared in record 2021-55326-001.) During the COVID-19 pandemic, we have seen that people can adapt quickly to ensure that their social needs are met after being forced to isolate and socially distance. Many individuals turned immediately to music, as evidenced by people singing from balconies, watching live concerts on social media, and group singing online. In this article, we show how these musical adaptations can be understood through the latest advances in the social neuroscience of music-an area that, to date, has been largely overlooked. By streamlining and synthesizing prior theory and research, we introduce a model of the brain that sheds light on the social functions and brain mechanisms that underlie the musical adaptations used for human connection. We highlight the role of oxytocin and the neurocircuitry associated with reward, stress, and the immune system. We show that the social brain networks implicated in music production (in contrast to music listening) overlap with the networks in the brain implicated in the social processes of human cognition-mentalization, empathy, and synchrony-all of which are components of herding; moreover, these components have evolved for social affiliation and connectedness. We conclude that the COVID-19 pandemic could be a starting point for an improved understanding of the relationship between music and the social brain, and we outline goals for future research in the social neuroscience of music. In a time when people across the globe have been unable to meet in person, they have found a way to meet in the music. (PsycInfo Database Record (c) 2022 APA, all rights reserved).

摘要

文章在“音乐的社会神经科学:通过人类歌曲理解社会大脑”(David M. Greenberg,Jean Decety 和 Ilanit Gordon,2021[10 月],第 76 卷[7],第 1172-1185 页)中存在错误。在这篇文章中,作者强调了催产素在音乐聆听和创作中的作用。尽管有几十年的社会神经科学研究支持非音乐环境中催产素分泌的社会意义,但催产素在音乐环境中的意义仍然是新兴的。例如,尽管确实有证据表明集体音乐制作会增加催产素(例如,Good 和 Russo,2021),但也有例外表明催产素会减少(例如,Fancourt 等人,2016)。在神经生物学候选部分的第二段和提出的模型部分的第三段中,作者注意到了这些例外,并增加了额外的引文以支持催产素和皮质醇的调节。他们还纠正了他们对 Schladt 等人的引用(2017),他们之前错误地引用 Schladt 等人的研究结果表明催产素增加,而实际上他们的研究结果表明催产素减少。这篇文章的在线版本已经过更正。(原始文章的摘要如下:在 COVID-19 大流行期间,我们看到人们可以迅速适应,确保在被迫隔离和保持社交距离后满足他们的社交需求。许多人立即转向音乐,这可以从人们从阳台上唱歌、在社交媒体上观看现场音乐会以及在线集体唱歌中看出。在本文中,我们展示了这些音乐改编如何可以通过音乐社会神经科学的最新进展来理解——迄今为止,这一领域在很大程度上被忽视了。通过简化和综合先前的理论和研究,我们引入了一个大脑模型,该模型揭示了支持用于人类联系的音乐改编的社会功能和大脑机制。我们强调了催产素的作用以及与奖励、压力和免疫系统相关的神经回路。我们表明,与音乐聆听相比,参与音乐创作的社会大脑网络(而不是音乐聆听)与大脑中参与人类认知——心理化、同理心和同步的网络重叠,所有这些都是群居的组成部分;此外,这些组成部分是为社交联系和联系而进化的。我们得出的结论是,COVID-19 大流行可能是更好地理解音乐与社会大脑之间关系的起点,我们概述了音乐社会神经科学未来研究的目标。在全球各地的人们无法亲自见面的时候,他们找到了一种在音乐中见面的方式。(PsycInfo 数据库记录(c)2022 APA,保留所有权利)。

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