University of Molise.
Stud Health Technol Inform. 2022 Sep 2;297:443-450. doi: 10.3233/SHTI220872.
The Italian museum system made significant progress in terms of accessibility. Despite the considerable increase in the number of people with functional limitations who visit museums, the percentage of those who do not visit museums is still very high, whatever the presence of limitations. Based on this empirical evidence, a new approach to the problem of accessibility becomes necessary. The paper argues in favor of a performative conception of accessibility. More specifically, it will be shown how the approach of relational sociology and the philosophy of gesture allow for elaborating a broader notion of accessibility than the prescriptive one that currently inspires most interventions. By redefining accessibility in terms of a social relationship that combines the adaptive dimension with the transmission of meanings, new possibilities emerge to make a museum visit an attractive and engaging experience. This guiding idea started to be implemented through the experimental project Smart Cultural Heritage 4 All realized at the Museo Sannitico of Campobasso (Italy).
意大利博物馆系统在可及性方面取得了重大进展。尽管有功能障碍的参观者人数显著增加，但无论是否存在障碍，不参观博物馆的人数仍然很高。基于这一经验证据，有必要对可及性问题采取新的方法。本文主张采用可及性的表现性概念。更具体地说，将展示关系社会学和手势哲学的方法如何允许制定比目前最能激发大多数干预措施的规范性概念更广泛的可及性概念。通过根据将适应性维度与意义传递相结合的社会关系重新定义可及性，为使博物馆参观成为一种有吸引力和引人入胜的体验，出现了新的可能性。这一指导思想开始通过在坎波巴索（意大利）的萨尼蒂科博物馆实施的实验项目“智能文化遗产 4 全”得以实现。
