Zhang Y, Gao S H
Art Therapy Research Center, Wuhan University of Science and Technology, Wuhan 430065, China.
School of Traditional Chinese Medicine, Beijing University of Chinese Medicine Beijing 100029,China.
Zhonghua Yi Shi Za Zhi. 2022 Nov 28;52(6):323-327. doi: 10.3760/cma.j.cn112155-20210701-00083.
The ideology of Chinese traditional five-tone music therapy started in the five-tone music practice for witch medicine (Wu Yi) or Shaman medicine (Sa Man Yi Xue) treatment in the primitive period. It came from the five-element thinking, , wood, fire, earth, metal and water which matches each inner organ in the human body to diagnose the lesion of the five main organs in traditional Chinese medicine. The five-tone system diagnoses the lesion of the five inner organs based on the changes of the five tones Jue, Zheng, Gong, Shang and Yu, and the construction of the traditional Chinese medicine theories. It eventually formed in the (Huang Di Nei Jing)during the Warring Period. Chinese traditional five-tone music therapy evolved and developed in each historical dynasty, and laid an ideological and theoretical foundation for contemporary Chinese traditional five-tone music therapy. It helped construct a music therapy as a traditional cultural treasure with unique Chinese cultural characteristics.
中国传统五音音乐疗法的思想起源于原始时期用于巫医(巫医)或萨满医学(萨满医学)治疗的五音音乐实践。它源自五行思想,即木、火、土、金、水,这五行与人体的各个内脏相对应,以诊断中医中五个主要器官的病变。五音系统根据角、徵、宫、商、羽五音的变化以及中医理论的构建来诊断五脏的病变。它最终在战国时期的《黄帝内经》中形成。中国传统五音音乐疗法在各个历史朝代不断演变和发展,为当代中国传统五音音乐疗法奠定了思想和理论基础。它有助于构建一种具有独特中国文化特色的音乐疗法,成为传统文化瑰宝。