Lang Armand, Segonds Frédéric, Jean Camille, Gazo Claude, Guegan Jérôme, Buisine Stéphanie, Mantelet Fabrice
LCPI, Arts et Métiers Institute of Technology, HESAM Université, Paris, France.
LaPEA, Université de Paris and Univ Gustave Eiffel, Boulogne-Billancourt, France.
3D Print Addit Manuf. 2021 Oct 1;8(5):281-292. doi: 10.1089/3dp.2020.0286. Epub 2021 Oct 8.
Additive manufacturing (AM) brings new design potential compared with traditional manufacturing. Nevertheless, traditional manufacturing knowledge remains embedded in the minds of designers and is a real cognitive barrier to design in AM. Design for Additive Manufacturing (DfAM) provides tools, techniques, and guidelines to optimize design with the specifics of AM. These methods are usable at different moments of the design process. Only few DfAMs focus on the early stages of design, the ideation phase, which allows for the most innovation. The literature highlights the effectiveness of methodologies based on tangible tools, such as cards or objects, to generate creativity. The difficulty with such tools is to be inspirational as well as formative. Therefore, this article presents a method to help designers capture the design potential of AM to design creative solutions at the early stages of product design, named the Augmented Design with AM Methodology (ADAM). This methodology relies on the potential of AM, defined in 14 opportunities and a set of 14 inspirational objects, each representing an opportunity. Dedicated to creativity sessions, this methodology allows forcing the association between knowledge of a company's sector and the design potential of AM. To validate the effectiveness of the ADAM methodology, we use it for an industrial application in a jewelry and watchmaking company. The results showed that ADAM promote the generation of creative solutions and the exploitation of the design potential of AM during the early design stages.
与传统制造相比,增材制造(AM)带来了新的设计潜力。然而,传统制造知识仍然存在于设计师的脑海中,并且是增材制造设计中真正的认知障碍。增材制造设计(DfAM)提供了工具、技术和指导方针,以根据增材制造的特点优化设计。这些方法可在设计过程的不同阶段使用。只有少数增材制造设计方法关注设计的早期阶段,即构思阶段,而这一阶段能够实现最大程度的创新。文献强调了基于卡片或实物等实体工具的方法在激发创造力方面的有效性。此类工具的难点在于既要具有启发性又要具有建设性。因此,本文提出了一种方法,以帮助设计师在产品设计的早期阶段挖掘增材制造的设计潜力,从而设计出有创意的解决方案,该方法名为增材制造增强设计方法(ADAM)。这种方法依赖于增材制造的潜力,它被定义为14个机会以及一组14个启发性实物,每个实物代表一个机会。专门用于创意研讨会,这种方法能够促使公司所在行业的知识与增材制造的设计潜力之间建立联系。为了验证ADAM方法的有效性,我们将其应用于一家珠宝和制表公司的工业项目中。结果表明,ADAM在设计早期阶段促进了创意解决方案的产生以及增材制造设计潜力的挖掘。