School of Art, Guangxi Normal University for Nationalities, Chongzuo 532200, China.
Student Affairs Office, Anhui University of Technology, Ma'anshan 243002, China.
Occup Ther Int. 2023 Mar 24;2023:4604885. doi: 10.1155/2023/4604885. eCollection 2023.
Vocal psychology belongs to the branch of music psychology, which is the cross-study of vocal art and psychology, and is also a new discipline with both theory and application. Vocal singing uses a thinking, conscious person as an instrument that is necessarily governed by the psyche over the physiology, relying on the brain to direct the movement of the singing muscles and the coordination of the vocal organs. The purpose of this thesis is to explore the application of vocal psychology in vocal singing and teaching, to explain the generation and development of various psychological phenomena in singing activities, to reveal the role and significance of various psychological factors, to provide singers with a theoretical basis for psychological aspects, and to correctly understand the scientific laws of the inner psychology of vocal singing. The effectiveness of classroom teaching is reflected in effective and efficient aspects. The effectiveness of a vocal lesson can be measured by the criteria of whether the teaching is oriented, scientific, artistic, and efficient. Effective teaching design is the basis of teaching effectiveness, elaborate teaching organization is the guarantee of teaching effectiveness, and flexible teaching methods are the root of teaching effectiveness; all three need to be closely combined and organically unified. Effective teaching design is a holistic thinking before the implementation of teaching; all factors related to teaching, practice, and evaluation should be fully considered in the teaching design; teachers should take the learning effect of students and the cultivation of employability as the starting point for effective teaching design; and the classroom teaching of "vocal music" is a "process" and teachers should teach in accordance with the teaching design. They should focus on guiding students to experience and cultivate their abilities in a series of "processes" such as the emotion of vocal music, the teaching situation, the effect of listening, the creation of expression, and the aesthetic value. In addition, teachers should combine the teaching methods of transmission and inspiration, classroom teaching, and after-school training and combine relatively fixed teaching methods with flexible teaching methods to maximize the effectiveness of teaching.
声乐心理学属于音乐心理学的分支,是声乐艺术与心理学的交叉学科,也是一门既有理论又有应用的新兴学科。声乐演唱用人的思维、有意识的人作为乐器,必然受到心理对生理的支配,依靠大脑指挥歌唱肌肉的运动和发声器官的协调。本论文旨在探讨声乐心理学在声乐演唱和教学中的应用,解释歌唱活动中各种心理现象的产生和发展,揭示各种心理因素的作用和意义,为演唱者提供心理方面的理论依据,正确认识声乐内在心理的科学规律。课堂教学的有效性体现在有效和高效两个方面。声乐课的有效性可以通过教学的针对性、科学性、艺术性和高效性来衡量。有效的教学设计是教学有效性的基础,精心的教学组织是教学有效性的保证,灵活的教学方法是教学有效性的根源;三者需要紧密结合,有机统一。有效的教学设计是教学实施前的整体思维;教学设计应充分考虑与教学、实践和评价相关的所有因素;教师应以学生的学习效果和就业能力培养为出发点进行有效的教学设计;“声乐”课堂教学是一个“过程”,教师应根据教学设计进行教学。他们应该注重引导学生在声乐情感、教学情境、听力效果、表达创作、审美价值等一系列“过程”中体验和培养能力。此外,教师应结合传授和启发式教学方法、课堂教学和课外培训,将相对固定的教学方法与灵活的教学方法相结合,以最大限度地提高教学效果。