Haas F, Distenfeld S, Axen K
J Appl Physiol (1985). 1986 Sep;61(3):1185-91. doi: 10.1152/jappl.1986.61.3.1185.
The effects of rhythmic input on breath period (TT) under constant metabolic drive were assessed in 10 musically trained and 10 untrained subjects. They tapped to a metronome and then to four musical segments, each for 5 min. Ten of these subjects (5 from each group) also listened to the selections without tapping. TT, beat period (TB), and phase coupling (PC) were assessed during the last 20 breaths of each presentation. TT coefficient of variation decreased significantly (P less than 0.001) in all subjects (base line = 23%; listening = 15%; listening and tapping = 10%). Significant correlation between rhythm and TT, indicating relative entrainment, was found in half of the subjects (r greater than 0.45; P less than 0.01). Significant integer TT/TB ratio and PC, both indicating tight entrainment between rhythm and breathing, were observed in 12 subjects (though not consistently in each one). These data advance the following hypothesis: musical rhythm can be a zeitgeber (i.e., pacemaker), with its ability to entrain respiration dependent on the strength of its signal relative to spurious signals from the higher neural centers that introduce noise into the central pattern generator. Tapping reinforces the zeitgeber, increasing its signal-to-noise ratio and thereby promoting entrainment.
在10名受过音乐训练和10名未受过训练的受试者中,评估了在恒定代谢驱动下节律性输入对呼吸周期(TT)的影响。他们先跟着节拍器打节拍,然后跟着四段音乐打节拍,每段持续5分钟。其中10名受试者(每组5名)还在不打节拍的情况下聆听这些音乐选段。在每次展示的最后20次呼吸过程中评估TT、节拍周期(TB)和相位耦合(PC)。所有受试者的TT变异系数均显著降低(P<0.001)(基线=23%;聆听=15%;聆听并打节拍=10%)。在一半的受试者中发现节律与TT之间存在显著相关性,表明存在相对同步(r>0.45;P<0.01)。在12名受试者中观察到显著的整数TT/TB比值和PC,两者均表明节律与呼吸之间存在紧密同步(尽管并非每个受试者都始终如此)。这些数据提出了以下假设:音乐节奏可以作为一个授时因子(即起搏器),其同步呼吸的能力取决于其信号强度相对于来自高级神经中枢的引入噪声到中枢模式发生器的虚假信号的强度。打节拍增强了授时因子,提高了其信噪比,从而促进了同步。