Czepiel Anna M, Fink Lauren K, Scharinger Mathias, Seibert Christoph, Wald-Fuhrmann Melanie, Kotz Sonja A
Department of Psychology, University of Toronto Mississauga, Mississauga, Ontario, Canada.
Department of Music, Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.
Ann N Y Acad Sci. 2025 Jan;1543(1):117-132. doi: 10.1111/nyas.15279. Epub 2025 Jan 3.
People enjoy engaging with music. Live music concerts provide an excellent option to investigate real-world music experiences, and at the same time, use neurophysiological synchrony to assess dynamic engagement. In the current study, we assessed engagement in a live concert setting using synchrony of cardiorespiratory measures, comparing inter-subject, stimulus-response, correlation, and phase coherence. As engagement might be enhanced in a concert setting by seeing musicians perform, we presented audiences with audio-only (AO) and audio-visual (AV) piano performances. Only correlation synchrony measures were above chance level. In comparing time-averaged synchrony across conditions, AV performances evoked a higher inter-subject correlation of heart rate (ISC-HR). However, synchrony averaged across music pieces did not correspond to self-reported engagement. On the other hand, time-resolved analyses show that synchronized deceleration-acceleration heart rate (HR) patterns, typical of an "orienting response" (an index of directed attention), occurred within music pieces at salient events of section boundaries. That is, seeing musicians perform heightened audience engagement at structurally important moments in Western classical music. Overall, we could show that multisensory information shapes dynamic engagement. By comparing different synchrony measures, we further highlight the advantages of time series analysis, specifically ISC-HR, as a robust measure of holistic musical listening experiences in naturalistic concert settings.
人们喜欢参与音乐活动。现场音乐会为研究现实世界中的音乐体验提供了绝佳选择,同时还能利用神经生理同步性来评估动态参与度。在当前的研究中,我们通过心肺测量的同步性来评估在现场音乐会环境中的参与度,比较了个体间、刺激-反应、相关性和相位相干性。由于在音乐会环境中观看音乐家表演可能会增强参与度,我们向观众呈现了纯音频(AO)和视听(AV)钢琴表演。只有相关性同步测量高于机遇水平。在比较不同条件下的时间平均同步性时,视听表演引起了更高的心率个体间相关性(ISC-HR)。然而,跨音乐作品平均的同步性与自我报告的参与度并不相符。另一方面,时间分辨分析表明,在音乐作品中,在段落边界的显著事件处会出现典型的“定向反应”(一种定向注意力的指标)的同步减速-加速心率(HR)模式。也就是说,观看音乐家表演在西方古典音乐结构上重要的时刻增强了观众的参与度。总体而言,我们可以表明多感官信息塑造了动态参与度。通过比较不同的同步测量方法,我们进一步突出了时间序列分析的优势,特别是ISC-HR,作为自然音乐会环境中整体音乐聆听体验的一种可靠测量方法。