Szubielska Magdalena, Ho Robbie, Witeska-Młynarczyk Anna, Kopiś-Posiej Natalia
Institute of Psychology, The John Paul II Catholic University of Lublin, Lublin, Poland.
Department of Cultural and Creative Arts, The Education University of Hong Kong, Ting Kok, Hong Kong.
Sci Rep. 2024 Feb 19;14(1):4099. doi: 10.1038/s41598-024-53322-7.
The present research investigates the appreciation of sanctioned street-based art among naïve viewers. It examines the role of viewing context in art appreciation, by experimentally testing a gray cube effect, which posits that street-based artworks are more likely to be identified as art (H1), liked more (H2), and understood more (H3) when viewed on the street. Identical procedures were carried out in Hong Kong (Experiment 1) and Lublin, Poland (Experiment 2), separately, sampling local artworks and local viewers. Experiment 1 tested 14 murals with 100 Hong Kongers; Experiment 2 tested 7 sculptures and 7 murals with 88 Poles. Participants were randomly assigned to either viewing street-based artworks on the street (gray cube) or viewing digital images of street-based artworks in a laboratory. The participants assessed each artwork in terms of art identification, liking, and understanding. These "twin" experiments yielded identical results, i.e., street-based artworks were liked more (H2) and understood more (H3) but not more likely to be identified as art (H1) on the street than in the laboratory. Overall, the present findings support the gray cube effect with ecologically valid data, and the effect seems robust across Western and Eastern cultural contexts and across genres of sculpture and mural.
本研究调查了普通观众对经认可的街头艺术的欣赏情况。它通过对一种灰色立方体效应进行实验测试,来考察观看背景在艺术欣赏中的作用,该效应认为,当街头艺术作品在街头被观看时,它们更有可能被认定为艺术(假设1)、更受喜爱(假设2)以及更易于理解(假设3)。在香港(实验1)和波兰的卢布林(实验2)分别开展了相同的程序,对当地的艺术作品和当地观众进行抽样。实验1用100名香港人对14幅壁画进行了测试;实验2用88名波兰人对7座雕塑和7幅壁画进行了测试。参与者被随机分配到在街头观看街头艺术作品(灰色立方体组)或在实验室观看街头艺术作品的数码图像。参与者从艺术认定、喜爱程度和理解程度方面对每件艺术作品进行评估。这两项“孪生”实验得出了相同的结果,即与在实验室观看相比,街头艺术作品在街头更受喜爱(假设2)且更易于理解(假设3),但被认定为艺术的可能性并未更高(假设1)。总体而言,本研究结果用具有生态效度的数据支持了灰色立方体效应,并且该效应在西方和东方文化背景以及雕塑和壁画等不同艺术形式中似乎都很稳健。