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在特权与排斥之间:东正教教堂歌手应对新冠疫情封锁

Between privilege and exclusion: Orthodox church singers coping with the Covid-19 lockdown.

作者信息

Takala-Roszczenko Maria

机构信息

University of Eastern Finland, Finland.

出版信息

Arch Psychol Relig. 2023 Jul;45(2):210-226. doi: 10.1177/00846724231158409. Epub 2023 Mar 4.

Abstract

The outbreak of the Covid-19 pandemic restricted public worship in many religious communities. This article explores how the amateur singers in Eastern Orthodox Christian church choirs coped with the 2-month liturgical lockdown in Finland during the spring of 2020. During the lockdown, only a limited number of singers were allowed to perform in worship, which was live streamed on social media. Based on a mixed-methods online survey, the article focuses on the psychological impact of the lockdown on individual church singers; their views of the spiritual, physical, mental and communal dimensions of singing in worship; and the methods of coping that their responses reveal. The analysis uses the religious coping theory developed by Kenneth Pargament and his colleagues. The results highlight how the church singers sought to maintain control of their lives in times of great uncertainty by focusing on individual religious activities and participating in live streamed worship. A new kind of autonomy was generated by the accessibility of worship on mobile devices, not confined to time or place. The results also reveal the negative effects of the lockdown on the social dynamics of the choir, the sense of being excluded from the community, as well as the guilt for having the privilege to sing in worship.

摘要

新冠疫情的爆发限制了许多宗教团体的公众礼拜活动。本文探讨了东正教基督教教堂唱诗班的业余歌手在2020年春季芬兰为期两个月的礼拜活动封锁期间是如何应对的。在封锁期间,只有少数歌手被允许在礼拜中表演,礼拜活动在社交媒体上进行了直播。基于一项混合方法的在线调查,本文重点关注封锁对教堂个体歌手的心理影响;他们对礼拜中歌唱的精神、身体、心理和群体层面的看法;以及他们应对方式所揭示的应对方法。分析采用了肯尼斯·帕加门特及其同事提出的宗教应对理论。结果突出了教堂歌手如何通过专注于个人宗教活动和参与直播礼拜,在巨大的不确定性时期努力维持对自己生活的掌控。移动设备上礼拜活动的可及性产生了一种新型的自主性,不受时间或地点的限制。结果还揭示了封锁对唱诗班社会动态、被社区排斥的感觉以及因有幸在礼拜中歌唱而产生的内疚感的负面影响。

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