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探索面具视觉意象的唤起特质及其与逆境和创伤的关联。

Exploring the evocative qualities of masks' visual imagery and their associations with adversity and trauma.

作者信息

Arslanbek Asli, Malhotra Bani, Stickley Kristyn S, Herres Joanna, Spooner Heather, Lamb Damon G, Levy Charles E, Williamson John B, Kaimal Girija

机构信息

Department of Creative Arts Therapies, Drexel University, Philadelphia, PA, United States.

Department of Arts and Letters. The University of Tampa, Tampa, FL, United States.

出版信息

Front Psychol. 2024 Jun 10;15:1337927. doi: 10.3389/fpsyg.2024.1337927. eCollection 2024.

Abstract

INTRODUCTION

Studies suggest a relationship between the emotional evocativeness of visual imagery and viewer responses, however, there is limited understanding of these associations, especially as they relate to viewers' personal experiences of adversities.

METHODS

In this exploratory study, we examined the relationship between the visual content of mask images and viewers' responses. In an online survey 699 participants (of  = 1,010 total initial participants) rated 98 masks based on valence, arousal, and personal relevance and completed the Life Events Checklist. The masks included those created by service members (SMs) with traumatic brain injury (TBI), and post-traumatic stress disorder (PTSD), depicting physical, psychological, and moral injuries and matched neutral masks created by creative arts therapists and arts in health scholars.

FINDINGS

The findings indicated that responses to mask image content (traumatic versus neutral) were associated with viewers' personal history of adversity and trauma. Specifically, images representing injury/trauma provoked stronger reactions on valence and arousal than neutral images. Moreover, participants with personal histories of trauma had heightened emotional responses to distressing imagery.

DISCUSSION

These findings have implications for art therapists as well as for clinical and general populations in that these results highlight the potential impact of distressing imagery particularly for individuals with personal histories of experiencing or witnessing traumatic events.

摘要

引言

研究表明视觉意象的情感唤起与观者反应之间存在关联,然而,对于这些关联的理解有限,尤其是当它们与观者的个人逆境经历相关时。

方法

在这项探索性研究中,我们考察了口罩图像的视觉内容与观者反应之间的关系。在一项在线调查中,699名参与者(初始参与者共1010名)根据效价、唤醒度和个人相关性对98个口罩进行了评分,并完成了生活事件清单。这些口罩包括由患有创伤性脑损伤(TBI)和创伤后应激障碍(PTSD)的军人创作的,描绘身体、心理和道德损伤的口罩,以及由创意艺术治疗师和健康领域艺术学者创作的匹配的中性口罩。

结果

结果表明,对口罩图像内容(创伤性与中性)的反应与观者的个人逆境和创伤史相关。具体而言,代表损伤/创伤的图像在效价和唤醒度上比中性图像引发了更强烈的反应。此外,有创伤个人史的参与者对令人痛苦的意象有更高的情绪反应。

讨论

这些发现对艺术治疗师以及临床和普通人群都有启示,因为这些结果突出了令人痛苦的意象的潜在影响,特别是对于有经历或目睹创伤事件个人史的个体。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/5de6/11196919/1cb6a6c8825b/fpsyg-15-1337927-g001.jpg

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