Trevor Caitlyn, Frühholz Sascha
Cognitive and Affective Neuroscience Unit, University of Zurich, Zürich, Switzerland.
Music Department, University of Birmingham, Birmingham, UK.
Emot Rev. 2024 Jul;16(3):180-194. doi: 10.1177/17540739241259562. Epub 2024 Jun 11.
The question of why music evolved has been contemplated and debated for centuries across multiple disciplines. While many theories have been posited, they still do not fully answer the question of why humans began making music. Adding to the effort to solve this mystery, we propose the socio-affective fiction (SAF) hypothesis. Humans have a unique biological need for emotion regulation strengthening. Simulated emotional situations, like dreams, can help address that need. Immersion is key for such simulations to successfully exercise people's emotions. Therefore, we propose that music evolved as a signal for SAF to increase the immersive potential of storytelling and thereby better exercise people's emotions. In this review, we outline the SAF hypothesis and present cross-disciplinary evidence.
几个世纪以来,跨学科领域一直在思考和辩论音乐为何会演变这一问题。尽管已经提出了许多理论,但它们仍未完全回答人类为何开始创作音乐这一问题。为了努力解开这个谜团,我们提出了社会情感虚构(SAF)假说。人类对加强情绪调节有着独特的生理需求。模拟的情感情境,如梦,有助于满足这一需求。沉浸感是此类模拟成功调动人们情绪的关键。因此,我们提出音乐是作为社会情感虚构的一种信号而演变的,以增加讲故事的沉浸潜力,从而更好地调动人们的情绪。在这篇综述中,我们概述了社会情感虚构假说并提供了跨学科证据。