Tseng Han-Yi, Chuang Hsien-Chih
Shih Hsin University, Taiwan.
Chinese Culture University, Taiwan.
J Eye Mov Res. 2024 Oct 10;17(4). doi: 10.16910/jemr.17.4.3. eCollection 2024.
This study employs subjective evaluation and eye movement experiments to explore the application and conveyance of logo graphics design, which conforms to the Gestalt principle of closure, to understand the psychological process of this principle in the perception of a logo. The study found that there is no significant difference between completely enclosed logos and unenclosed ones that conform to the principle of closure in their influence on sightline behavior due to the effects of closure, but the subjective evaluation favors unenclosed logos as more attractive and comfortable to perceive, which agrees with modern logo design trends. In addition, the sightline distribution of the image-type logos is more scattered and has the most extended fixation duration. In contrast, the sightline distribution of text-type logos is more concentrated. Designers who understand the principle of closure can intentionally incorporate imperfection into logo design, triggering the automatic mental filling of gaps and instilling new meaning and visual effect into a design.
本研究采用主观评价和眼动实验,探索符合格式塔封闭性原则的标志图形设计的应用与传达,以了解该原则在标志感知中的心理过程。研究发现,由于封闭性的影响,完全封闭的标志与符合封闭性原则的非封闭标志在对视线行为的影响上没有显著差异,但主观评价更倾向于非封闭标志,认为其更具吸引力且感知起来更舒适,这与现代标志设计趋势相符。此外,图像型标志的视线分布更分散,注视持续时间最长。相比之下,文本型标志的视线分布更集中。理解封闭性原则的设计师可以有意在标志设计中融入不完美之处,引发大脑自动填补空白,为设计注入新的意义和视觉效果。