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Acquisition of the hierarchy of tonal functions in music.

作者信息

Krumhansl C L, Keil F C

出版信息

Mem Cognit. 1982 May;10(3):243-51. doi: 10.3758/bf03197636.

DOI:10.3758/bf03197636
PMID:7121246
Abstract
摘要

相似文献

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[Analytic, creative and memory processes in hearing and processing of music--a DC potential study].[音乐聆听与处理中的分析、创造性及记忆过程——一项直流电位研究]
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Universality, domain-specificity, and development of psychological responses to music.音乐心理反应的普遍性、领域特异性与发展
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本文引用的文献

1
The magical number seven plus or minus two: some limits on our capacity for processing information.神奇的数字七，加二或减二：我们信息处理能力的某些局限。
Psychol Rev. 1956 Mar;63(2):81-97.
2
Key distance effects on perceived harmonic structure in music.关键距离对音乐中感知到的和声结构的影响。
Percept Psychophys. 1982 Aug;32(2):96-108. doi: 10.3758/bf03204269.
3
Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.追踪音乐调式空间表征中感知到的音调组织的动态变化。
Dev Cogn Neurosci. 2023 Oct;63:101279. doi: 10.1016/j.dcn.2023.101279. Epub 2023 Jul 27.
4
The human language system, including its inferior frontal component in "Broca's area," does not support music perception.人类语言系统，包括其“布罗卡区”中的下额叶成分，并不支持音乐感知。
Cereb Cortex. 2023 Jun 8;33(12):7904-7929. doi: 10.1093/cercor/bhad087.
5
Electrophysiological and behavioral indicators of musical knowledge about unfamiliar music.对不熟悉音乐的音乐知识的电生理和行为指标。
Sci Rep. 2022 Jan 10;12(1):441. doi: 10.1038/s41598-021-04211-w.
6
Asymmetry in scales enhances learning of new musical structures.音阶的非对称性增强了对新音乐结构的学习。
Proc Natl Acad Sci U S A. 2021 Aug 3;118(31). doi: 10.1073/pnas.2014725118.
7
What to Expect When the Unexpected Becomes Expected: Harmonic Surprise and Preference Over Time in Popular Music.当意外变得可预期时会发生什么：流行音乐中随时间变化的和声惊喜与偏好
Front Hum Neurosci. 2021 Apr 30;15:578644. doi: 10.3389/fnhum.2021.578644. eCollection 2021.
8
The role of duration and frequency of occurrence in perceived pitch structure.在感知音高结构中，持续时间和出现频率的作用。
PLoS One. 2020 Sep 21;15(9):e0239582. doi: 10.1371/journal.pone.0239582. eCollection 2020.
9
Learning unfamiliar pitch intervals: A novel paradigm for demonstrating the learning of statistical associations between musical pitches.
PLoS One. 2018 Aug 30;13(8):e0203026. doi: 10.1371/journal.pone.0203026. eCollection 2018.
10
Sensitivity to musical emotion is influenced by tonal structure in congenital amusia.先天性失歌症患者对音乐情感的敏感性受音高结构的影响。
Sci Rep. 2017 Aug 8;7(1):7624. doi: 10.1038/s41598-017-08005-x.
Psychol Rev. 1982 Jul;89(4):334-68.
4
The representation of harmonic structure in music: hierarchies of stability as a function of context.音乐中和声结构的呈现：稳定性层次作为情境的函数
Cognition. 1983 Jan;13(1):63-102. doi: 10.1016/0010-0277(83)90003-3.
5
Perceived harmonic structure of chords in three related musical keys.三个相关音乐调式中和弦的感知和声结构。
J Exp Psychol Hum Percept Perform. 1982 Feb;8(1):24-36. doi: 10.1037//0096-1523.8.1.24.
6
Recognition of transposed melodies: a key-distance effect in developmental perspective.转位旋律的识别：发展视角下的关键距离效应
J Exp Psychol Hum Percept Perform. 1980 Aug;6(3):501-15. doi: 10.1037//0096-1523.6.3.501.
7
Contour, interval, and pitch recognition in memory for melodies.旋律记忆中的轮廓、音程和音高识别。
J Acoust Soc Am. 1971 Feb;49(2):Suppl 2:524+. doi: 10.1121/1.1912382.
8
Attentional responsesof five-month girls to discrepant auditory stimuli.五个月大女婴对不同听觉刺激的注意力反应。
Child Dev. 1970 Dec;41(4):1159-71.
9
Cognitive maps in children and men.儿童和成人的认知地图。
Child Dev. 1974 Sep;45(3):707-16.
10
Recognition memory for single tones with and without context.有无语境下对单音的识别记忆。
J Exp Psychol Hum Learn. 1977 Jan;3(1):60-7.