Beauregard Calla Glavin, Danforth Christopher M, Dodds Peter Sheridan
Computational Story Lab, University of Vermont, Burlington, VT, United States.
MassMutual Center of Excellence, Vermont Complex Systems Institute, University of Vermont, 89 University Place, Burlington, VT, 05452, United States, 1 (802) 656-3392.
JMIR Form Res. 2025 Jun 24;9:e70853. doi: 10.2196/70853.
BACKGROUND: The common phrase "representation matters" asserts that media has a measurable and important impact on civic society's perception of self and others. The representation of health in media, in particular, may reflect and perpetuate a society's disease burden. OBJECTIVE: In this study, for the top 10 major causes of death in the United States, we aimed to examine how cinematic representation overall and by-gender mortality diverges from reality. METHODS: Using crowd-sourced data on over 68,000 film deaths from Cinemorgue Wiki, we employ natural language processing techniques to analyze shifts in representation of deaths in movies versus the 2021 National Vital Statistics Survey top 10 mortality causes. We parsed, stemmed, and classified each film death database entry, and then categorized film deaths by gender using a specifically trained gender text classifier. RESULTS: Overall, movies strongly overrepresent suicide and, to a lesser degree, accidents. In terms of gender, movies overrepresent men and underrepresent women for nearly every major mortality cause, including heart disease and cerebrovascular disease (chi-square test, P<.001); 73.6% (477/648) of film deaths from heart disease were men (vs 384,866/695,547, 55.4% in real life) and 69.4% (50/72) of film deaths from cerebrovascular disease were men (vs 70,852/162,890, 43.5% in real life). The 2 exceptions for which women were overrepresented are suicide and accidents (chi-square test, P<.001), with 39.7% (945/2382) deaths from suicide in film being women (vs 9825/48,183, 20.4% in real life) and 38.8% (485/1250) deaths from accidents in film being women (vs 75,333/225,935, 33.5% in real life). CONCLUSIONS: We discuss the implications of under- and overrepresenting causes of death overall and by gender, as well as areas of future research.
背景:常见的表述“代表性很重要”断言,媒体对公民社会对自我和他人的认知有可衡量且重要的影响。尤其是媒体中健康方面的呈现,可能反映并延续一个社会的疾病负担。 目的:在本研究中,针对美国十大主要死因,我们旨在研究电影呈现总体情况以及按性别划分的死亡率与现实情况有何不同。 方法:利用来自Cinemorgue Wiki的超过68000例电影死亡的众包数据,我们采用自然语言处理技术来分析电影中死亡呈现情况与2021年美国国家生命统计调查十大死因之间的变化。我们对每个电影死亡数据库条目进行解析、词干提取和分类,然后使用经过专门训练的性别文本分类器按性别对电影死亡进行分类。 结果:总体而言,电影中自杀的呈现比例过高,事故的呈现比例在较小程度上也过高。在性别方面,几乎每种主要死因在电影中的呈现都是男性比例过高而女性比例过低,包括心脏病和脑血管疾病(卡方检验,P<0.001);电影中心脏病死亡案例中有73.6%(477/648)是男性(而现实生活中为384866/695547,占55.4%),电影中脑血管疾病死亡案例中有69.4%(50/72)是男性(而现实生活中为70852/162890,占43.5%)。女性呈现比例过高的两个例外情况是自杀和事故(卡方检验,P<0.001),电影中自杀死亡案例中有39.7%(945/2382)是女性(而现实生活中为9825/48183,占20.4%),电影中事故死亡案例中有38.8%(485/1250)是女性(而现实生活中为75333/225935,占33.5%)。 结论:我们讨论了总体上以及按性别划分的死亡原因呈现比例过低和过高的影响,以及未来研究的方向。
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