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探索年轻小提琴学习者的音乐自我效能感与表演焦虑:来自中国大陆的见解

Exploring musical self-efficacy and performance anxiety in young violin learners: insights from mainland China.

作者信息

Ou Jiayi, Qin Chao

机构信息

Department of Musicology, Faculty of Social and Human Sciences, Nova University of Lisbon, Lisbon, Portugal.

School of Education, Yunnan Minzu University, Yunnan, China.

出版信息

Front Psychol. 2025 Jun 25;16:1575591. doi: 10.3389/fpsyg.2025.1575591. eCollection 2025.

Abstract

INTRODUCTION

Music self-efficacy (MSE) and music performance anxiety (MPA) are critical issues in music education. This study examines MSE, including both music learning self-efficacy (MLSE) and music performance self-efficacy (MPSE), as well as MPA, among undergraduate violin students in mainland China.

METHODS

Data were collected via an online survey distributed to students from 11 music conservatories, resulting in 254 valid responses.

RESULTS AND DISCUSSION

The results revealed moderate levels of MLSE and MPSE, with no significant gender differences. Differences were observed across academic years, with lower-year students reporting higher MLSE and MPSE than upper-year students. Conservatory level also influenced MLSE and MPSE, with A-level students scoring higher than B- and C-level students. MPA levels were generally high, but no gender or academic year differences were observed. However, a U-shaped pattern of MPA across conservatory levels was identified, with A- and C-level students experiencing higher anxiety than B-level students. Notably, MLSE was positively associated with MPA, while MPSE showed a negative association, suggesting that the two types of self-efficacy play divergent roles in MPA. These findings indicate that while MLSE and MPSE are moderately correlated, they differentially influence violin students' MPA.

摘要

引言

音乐自我效能感(MSE)和音乐表演焦虑(MPA)是音乐教育中的关键问题。本研究考察了中国大陆本科小提琴专业学生的音乐自我效能感,包括音乐学习自我效能感(MLSE)和音乐表演自我效能感(MPSE),以及音乐表演焦虑。

方法

通过在线调查收集了来自11所音乐学院学生的数据,共获得254份有效回复。

结果与讨论

结果显示,音乐学习自我效能感和音乐表演自我效能感处于中等水平,且无显著性别差异。不同学年之间存在差异,低年级学生报告的音乐学习自我效能感和音乐表演自我效能感高于高年级学生。音乐学院水平也影响音乐学习自我效能感和音乐表演自我效能感,A级学生得分高于B级和C级学生。音乐表演焦虑水平普遍较高,但未观察到性别或学年差异。然而,发现音乐表演焦虑在音乐学院水平上呈U形模式,A级和C级学生比B级学生经历更高的焦虑。值得注意的是,音乐学习自我效能感与音乐表演焦虑呈正相关,而音乐表演自我效能感呈负相关,这表明两种类型的自我效能感在音乐表演焦虑中发挥着不同的作用。这些发现表明,虽然音乐学习自我效能感和音乐表演自我效能感存在中等程度的相关性,但它们对小提琴专业学生的音乐表演焦虑有不同的影响。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/2f16/12239020/ab8e04eec1ed/fpsyg-16-1575591-g001.jpg

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