Xiao Congrong, Seong Dongkwon
Department of X-Cultural Studies, Graduate School, Kookmin University, Seoul 02707, Republic of Korea.
Biomimetics (Basel). 2025 Aug 18;10(8):541. doi: 10.3390/biomimetics10080541.
Biomimetic design, derived from the study of biological systems, has emerged as a pivotal methodology in contemporary art and design. By systematically integrating the morphological traits, structural principles, and functional mechanisms of living organisms into design thinking, it provides both a novel theoretical perspective and methodological support for modern design practice. This design philosophy draws abundant inspiration from nature's aesthetics and achieves a profound fusion of organic form and artistic expression. This study systematically traces the theoretical evolution of biomimetic design-from its early phase of direct form-mimicry to today's holistic, systems-based approach-and clarifies its interdisciplinary logic and developmental trajectory. We examine its applications in public installations, product development, architecture, and fashion. Through a structured analysis of plant-inspired, animal-inspired, and ecosystem-inspired strategies-linked with the aesthetic demands and cultural contexts of design-this study uncovers the underlying mechanisms by which biological models drive innovation. The findings demonstrate that, by organically combining form simulation, function optimization, and ecological awareness, biomimetic design not only elevates the aesthetic value, visual impact, and emotional resonance of design works but also amplifies their social role and cultural significance. Moreover, its interdisciplinary potential in materials innovation, technological integration, and environmental sustainability highlights unique pathways for addressing complex contemporary challenges. This study adopts a methodology that blends case-study analysis and theoretical interpretation. Through an in-depth examination of exemplar projects, it validates that biomimetic design not only achieves a seamless unity of function and form but also offers a robust theoretical framework and practical strategies for sustainable design implementation. These insights advance both the theoretical depth and practical innovation of the design discipline.
仿生设计源于对生物系统的研究，已成为当代艺术与设计中的关键方法。通过将生物体的形态特征、结构原理和功能机制系统地融入设计思维，它为现代设计实践提供了全新的理论视角和方法支持。这种设计理念从自然美学中汲取了丰富灵感，实现了有机形式与艺术表达的深度融合。本研究系统追溯了仿生设计的理论演进——从早期的直接形式模仿阶段到如今基于系统的整体方法——并阐明了其跨学科逻辑和发展轨迹。我们考察了它在公共装置、产品开发、建筑和时尚领域的应用。通过对受植物启发、受动物启发和受生态系统启发的策略进行结构化分析，并结合设计的美学需求和文化背景，本研究揭示了生物模型驱动创新的潜在机制。研究结果表明，通过有机结合形式模拟、功能优化和生态意识，仿生设计不仅提升了设计作品的美学价值、视觉冲击力和情感共鸣，还增强了它们的社会作用和文化意义。此外，其在材料创新、技术整合和环境可持续性方面的跨学科潜力凸显了解决复杂当代挑战的独特途径。本研究采用案例分析与理论阐释相结合的方法。通过对典范项目的深入考察，验证了仿生设计不仅实现了功能与形式的无缝统一，还为可持续设计实施提供了坚实的理论框架和实践策略。这些见解推动了设计学科的理论深度和实践创新。
