Berger Daniel, Matta Valentina, Ialongo Nicola, Nørgaard Heide W, Salis Gianfranca, Brauns Michael, Holst Mads K, Vandkilde Helle
Curt-Engelhorn-Zentrum Archäometrie gGmbH, Mannheim, Germany.
Graduate School, Faculty of Arts, Aarhus University, Aarhus Centrum, Denmark.
PLoS One. 2025 Sep 10;20(9):e0328268. doi: 10.1371/journal.pone.0328268. eCollection 2025.
This article presents a multiproxy investigation of metal samples obtained from 48 Nuragic figurines (so-called bronzetti) and three copper bun ingots. These objects originate from three prominent Sardinian sanctuaries and one unidentified site, dating to the late Nuragic period of the early first millennium BCE. The dataset significantly expands the existing scientific database and unwraps the complex fabrication biographies of the figurines from ore to finished object. The investigation employs an advanced archaeometallurgical approach, integrating conventional trace-elemental and lead isotope analyses with rarely used copper, tin, and osmium isotope measurements. This methodological combination allows for a more reliable identification of the original metal sources used in the production of the objects, namely copper from the Iglesiente-Sulcis district in southwest Sardinia, with the Sa Duchessa mine as the most likely supplier, in addition to copper from the Alcudia valley or the Linares district in the Iberian Peninsula. Notably, the combination of analytical proxies reveals the mixing of copper from these distinct regions, while ruling out the exploitation of Sardinian tin resources. Furthermore, the osmium isotope ratios confirm the use of Sardinian copper and exclude the alloying of local lead with imported copper. These results shed light on local metallurgical practices and distribution strategies in Nuragic Sardinia, but also on Sardinia's broader role and position in the Mediterranean world during the transition from the Late Bronze Age to the Early Iron Age.
本文介绍了对从48件努拉吉小雕像(所谓的“青铜小像”)和三块铜锭获得的金属样本进行的多指标研究。这些物品来自撒丁岛的三个著名圣地和一个不明地点,可追溯到公元前一千年早期的努拉吉晚期。该数据集显著扩展了现有的科学数据库,并揭示了这些小雕像从矿石到成品的复杂制作历程。该研究采用了先进的考古冶金方法,将传统的微量元素和铅同位素分析与很少使用的铜、锡和锇同位素测量相结合。这种方法组合能够更可靠地识别制作这些物品所使用的原始金属来源,即来自撒丁岛西南部伊格莱西亚-苏尔西斯地区的铜,其中萨杜凯萨矿最有可能是供应商,此外还有来自阿尔库迪亚山谷或伊比利亚半岛利纳雷斯地区的铜。值得注意的是,分析指标的组合揭示了这些不同地区的铜的混合情况,同时排除了对撒丁岛锡资源的开采。此外,锇同位素比率证实了撒丁岛铜的使用,并排除了本地铅与进口铜的合金化。这些结果不仅揭示了努拉吉时期撒丁岛的当地冶金实践和分布策略,还揭示了撒丁岛在从青铜时代晚期到铁器时代早期过渡期间在地中海世界更广泛的作用和地位。