Hasenfus N, Martindale C, Birnbaum D
J Exp Psychol Hum Percept Perform. 1983 Dec;9(6):841-63. doi: 10.1037//0096-1523.9.6.841.
The sensitivity of artistically naive people to cross-media styles (baroque, neoclassic, and romantic) and to period styles (works composed by artists born during the same epoch) in four media (painting, poetry, music, and architecture) was assessed. In two studies, adult subjects tended spontaneously to sort stimuli according to both cross-media styles and period styles. In a third study, nursery school children were shown to be able to sort pictures of paintings and architectural facades on the basis of cross-media styles. Other experiments using rating scales again demonstrated that artistically naive adults are sensitive to both cross-media styles and period styles even when they are not implicitly urged to disregard medium. These and other studies using rating scales suggested that the bases for discrimination of both cross-media styles and period styles are the dimensions of realistic versus unrealistic and of overall arousal potential.
研究评估了缺乏艺术经验的人对四种媒介（绘画、诗歌、音乐和建筑）中的跨媒介风格（巴洛克、新古典主义和浪漫主义）以及时期风格（由同一时代出生的艺术家创作的作品）的敏感度。在两项研究中，成年受试者倾向于自发地根据跨媒介风格和时期风格对刺激物进行分类。在第三项研究中，幼儿园儿童被证明能够根据跨媒介风格对绘画和建筑立面的图片进行分类。其他使用评级量表的实验再次表明，即使没有被含蓄地要求忽略媒介，缺乏艺术经验的成年人对跨媒介风格和时期风格都很敏感。这些以及其他使用评级量表的研究表明，区分跨媒介风格和时期风格的依据是现实与非现实以及整体唤醒潜力的维度。
