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饕餮,作为一种炼丹药物朱砂的图像对应物,是中国丧葬艺术的一种图案。

T'ao-t'ieh, a motif of Chinese funerary art as the iconographic counterpart of Cinnabar, an alchemical drug.

作者信息

Mahdihassan S

出版信息

Am J Chin Med. 1982;10(1-4):5-13. doi: 10.1142/S0192415X82000038.

DOI:10.1142/S0192415X82000038
PMID:7183206
Abstract

The agency conferring resurrection is soul or its emblem. The earliest conception of soul is blood. Its Redness penetrates subsoil and is taken up by serpent, from whence arises snake-soul, later snake-god. Blood vapours is the other fraction arising upwards. It becomes wraith bird, later soul bird, and finally bird god. Blood as whole gave snake-god plus bird-god. A winged-cobra became snake-god and bird-god or together, one-as-all. Red Cock was its equivalent. As substance came cinnabar, red like blood and sublimable like soul. Dragon was idealized snake-god. Then Dragon-god plus Bird-god became the equal of blood soul, the magical power. T'ao-t'ieh is Dragon-plus-Bird, snake-god plus bird-god, the equivalent of Cosmic soul. Then cinnabar as the equal of blood soul and T'ao-t'ieh, the emblem of Cosmic soul, each were capable of conferring resurrection and have been interred in Chinese graves.

摘要

赋予复活能力的是灵魂或其象征。灵魂最早的概念是血液。它的红色渗透到地下,被蛇吸收,由此产生了蛇灵,后来演变成蛇神。血液蒸汽是向上升腾的另一部分。它变成了幽灵鸟,后来是灵魂鸟,最后成为鸟神。作为整体的血液产生了蛇神加鸟神。有翼眼镜蛇成为了蛇神和鸟神,或者合二为一,融为一体。红公鸡与之相当。作为物质的是朱砂,它像血一样红,像灵魂一样可升华。龙是理想化的蛇神。然后龙神加鸟神成为了血魂、魔力的等同物。饕餮是龙加鸟,蛇神加鸟神,等同于宇宙灵魂。然后朱砂等同于血魂,饕餮作为宇宙灵魂的象征,它们都能够赋予复活能力,并被埋葬在中国的坟墓中。

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