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A bidimensional model of pitch in the recognition of melodies.

作者信息

Idson W L, Massaro D W

出版信息

Percept Psychophys. 1978 Dec;24(6):551-65. doi: 10.3758/bf03198783.

DOI:10.3758/bf03198783
PMID:751000
Abstract
摘要

相似文献

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A bidimensional model of pitch in the recognition of melodies.旋律识别中音调的二维模型。
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The perception of octave pitch affinity and harmonic fusion have a common origin.八度音程音高协和感和和声融合感具有共同的起源。
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Alarm tones, music and their elements: Analysis of reported waking sounds to counteract sleep inertia.

本文引用的文献

1
Note on Neu's review of the literature on absolute pitch.关于纽对绝对音高文献综述的注释。
Psychol Bull. 1948 Mar;45(2):161. doi: 10.1037/h0063411.
2
An experimental study of auditory patterns.听觉模式的实验研究。
Am J Psychol. 1951 Jan;64(1):68-77.
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Receptive fields, binocular interaction and functional architecture in the cat's visual cortex.猫视觉皮层中的感受野、双眼相互作用及功能结构
报警音、音乐及其元素：为对抗睡眠惯性而报告的唤醒声音分析。
PLoS One. 2020 Jan 28;15(1):e0215788. doi: 10.1371/journal.pone.0215788. eCollection 2020.
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Universal and Non-universal Features of Musical Pitch Perception Revealed by Singing.通过歌唱揭示音乐音高感知的普遍和非普遍特征。
Curr Biol. 2019 Oct 7;29(19):3229-3243.e12. doi: 10.1016/j.cub.2019.08.020. Epub 2019 Sep 19.
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Auditory discrimination of frequency ratios: the octave singularity.听觉对频率比的辨别：八度音奇点。
J Exp Psychol Hum Percept Perform. 2013 Jun;39(3):788-801. doi: 10.1037/a0030095. Epub 2012 Oct 22.
6
Dynamic melody recognition: distinctiveness and the role of musical expertise.动态旋律识别：独特性和音乐专业知识的作用。
Mem Cognit. 2010 Jul;38(5):641-50. doi: 10.3758/MC.38.5.641.
7
Absolute memory for musical pitch: evidence from the production of learned melodies.对音高的绝对记忆：来自所学旋律演唱的证据。
Percept Psychophys. 1994 Oct;56(4):414-23. doi: 10.3758/bf03206733.
8
Circularity in relative pitch judgments for inharmonic complex tones: the Shepard demonstration revisited, again.
Percept Psychophys. 1981 Nov;30(5):467-72. doi: 10.3758/bf03204843.
9
Controlled attending as a function of melodic and temporal context.作为旋律和时间背景函数的控制性注意。
Percept Psychophys. 1982 Sep;32(3):211-8. doi: 10.3758/bf03206225.
10
Octave equivalence as measured by similarity ratings.通过相似度评级衡量的八度等效性。
Percept Psychophys. 1982 Jul;32(1):37-49. doi: 10.3758/bf03204867.
J Physiol. 1962 Jan;160(1):106-54. doi: 10.1113/jphysiol.1962.sp006837.
4
Recognition of distorted melodies.对扭曲旋律的识别。
Am J Psychol. 1960 Mar;73:100-7.
5
Music recognition.音乐识别。
Psychol Rev. 1969 May;76(3):300-7. doi: 10.1037/h0027237.
6
Primary auditory stream segregation and perception of order in rapid sequences of tones.
J Exp Psychol. 1971 Aug;89(2):244-9. doi: 10.1037/h0031163.
7
Pitch as a medium: a new approach to psychophysical scaling.音高作为一种媒介：心理物理学标度的新方法。
Am J Psychol. 1971 Jun;84(2):147-66.
8
Contour, interval, and pitch recognition in memory for melodies.旋律记忆中的轮廓、音程和音高识别。
J Acoust Soc Am. 1971 Feb;49(2):Suppl 2:524+. doi: 10.1121/1.1912382.
9
Tones and numbers: specificity of interference in immediate memory.语调与数字：即时记忆中干扰的特异性
Science. 1970 Jun 26;168(3939):1604-5. doi: 10.1126/science.168.3939.1604.
10
Effect of repetition of standard and comparison tones on recognition memory for pitch.标准音和比较音的重复对音高识别记忆的影响。
J Exp Psychol. 1972 Apr;93(1):156-62. doi: 10.1037/h0032496.