Carson R G, Riek S
Department of Human Movement Studies, University of Queensland, Brisbane, Australia.
Exp Brain Res. 1998 Jul;121(1):103-14. doi: 10.1007/s002210050442.
Six right-handed subjects performed rhythmic flexion and extension movements of the index finger in time with an auditory metronome. On each block of trials, the wrist of the response hand was placed in a extended, neutral or flexed position. In the flex-on-the-beat condition, subjects were instructed to coordinate maximum excursion in the direction of finger flexion with each beat of the metronome. In the extend-on-the-beat condition, subjects were instructed to coordinate maximum excursion in the direction of finger extension with each beat of the metronome. The frequency of the metronome was increased from 2.00 Hz to 3.75 Hz in 8 steps (8 s epochs) of 0.25 Hz. During trials prepared in the extend-on-the-beat pattern, all subjects exhibited transitions to either a flex-on-the-beat pattern or to phase wandering as the frequency of pacing was increased. The time at which these transitions occurred was reliably influenced by the position of the wrist. Four subjects exhibited qualitative departures from the flex-on-the-beat pattern at pacing frequencies that were greater than those at which the extend-on-the-beat pattern could be maintained. The time at which these departures occurred was not influenced by the position of the wrist. These results are discussed with reference to the constraints imposed on the coordination dynamics by the intrinsic properties of the neuromuscular-skeletal system.
六名右利手受试者随着听觉节拍器的节奏进行食指的节律性屈伸运动。在每一组试验中,反应手的手腕处于伸展、中立或屈曲位置。在“节拍时屈曲”条件下,受试者被要求将手指屈曲方向的最大偏移与节拍器的每一拍相协调。在“节拍时伸展”条件下,受试者被要求将手指伸展方向的最大偏移与节拍器的每一拍相协调。节拍器的频率以0.25Hz的步长从2.00Hz增加到3.75Hz,共8步(每步8秒)。在以“节拍时伸展”模式准备的试验中,随着起搏频率的增加,所有受试者都表现出向“节拍时屈曲”模式或相位漂移的转变。这些转变发生的时间可靠地受到手腕位置的影响。四名受试者在起搏频率高于能够维持“节拍时伸展”模式的频率时,表现出与“节拍时屈曲”模式的质性偏离。这些偏离发生的时间不受手腕位置的影响。将结合神经肌肉骨骼系统的内在特性对协调动力学施加的限制来讨论这些结果。