Tillmann Barbara, Lebrun-Guillaud Géraldine
CNRS UMR 5020 Neurosciences et Systèmes Sensoriels, Université Claude Bernard-Lyon I, 50 Av Tony Garnier, 69366, Lyon Cedex 07, France.
Psychol Res. 2006 Sep;70(5):345-58. doi: 10.1007/s00426-005-0222-0. Epub 2005 Sep 22.
Pitch and time are two principal form-bearing dimensions in Western tonal music. Research on melody perception has shown that listeners develop expectations about "What" note is coming next and "When" in time it will occur. Our study used sequences of chords (i.e., simultaneously sounding notes) to investigate the influence of these expectations on chord processing (Experiments 1 and 4) and subjective judgments of completion (Experiments 2 and 3). Both tasks showed an influence of tonal relations and temporal regularities: expected events occurring at the expected moment were processed faster and led to higher completion judgments. However, pitch and time dimensions interacted only for completion judgments. The present outcome suggests that for chord perception the influence of pitch and time might depend on the required processing: with a more global judgment favoring interactive influences in contrast to a task focusing on local chord processing.
音高和时间是西方调性音乐中两个主要的形式承载维度。对旋律感知的研究表明,听众会对接下来出现的“什么”音符以及它会在“何时”出现产生预期。我们的研究使用和弦序列(即同时发声的音符)来探究这些预期对和弦处理(实验1和4)以及完成度主观判断(实验2和3)的影响。两项任务都显示出调性关系和时间规律的影响:在预期时刻出现的预期事件被处理得更快,并导致更高的完成度判断。然而,音高和时间维度仅在完成度判断方面相互作用。目前的结果表明,对于和弦感知,音高和时间的影响可能取决于所需的处理方式:与专注于局部和弦处理的任务相比,更全局的判断有利于交互影响。