Leder Helmut, Carbon Claus-Christian, Ripsas Ai-Leen
Faculty of Psychology, University of Vienna, Liebiggasse 5, 1010 Vienna, Austria.
Acta Psychol (Amst). 2006 Feb;121(2):176-98. doi: 10.1016/j.actpsy.2005.08.005. Epub 2005 Nov 11.
There is evidence that presenting titles together with artworks affects their processing. We investigated whether elaborative and descriptive titles change the appreciation and understanding of paintings. Under long presentation times (90 s) in Experiment 1, testing representative and abstract paintings, elaborative titles increased the understanding of abstract paintings but not their appreciation. In order to test predictions concerning the time course of understanding and aesthetic appreciation [Leder, H., Belke, B., Oeberst, A., & Augustin, D. (2004). A model of aesthetic appreciation and aesthetic judgments. British Journal of Psychology, 95(4), 489-508] in Experiment 2, abstract paintings were presented under two presentation times. For short presentation times (1 s), descriptive titles increased the understanding more than elaborative titles, whereas for medium presentation times (10 s), elaborative titles increased the understanding more than descriptive titles. Thus, with artworks a presentation time of around 10 s might be needed, to assign a meaning beyond the mere description. Only at medium presentation times did the participants with more art knowledge have a better understanding of the paintings than participants with less art knowledge. Thus, it seems that art knowledge becomes significant, if there is sufficient time to assign a meaning and the present studies reveal the importance of considering the time course in aesthetic appreciation.
有证据表明,将标题与艺术作品一同呈现会影响对它们的处理。我们研究了阐释性标题和描述性标题是否会改变对绘画的欣赏和理解。在实验1中,测试代表性绘画和抽象绘画,在较长呈现时间(90秒)下,阐释性标题提高了对抽象绘画的理解,但没有提升对其的欣赏。为了在实验2中测试关于理解和审美欣赏时间进程的预测[莱德,H.,贝尔克,B.,奥伯斯特,A.,&奥古斯汀,D.(2004年)。审美欣赏和审美判断模型。《英国心理学杂志》,95(4),489 - 508],抽象绘画在两种呈现时间下展示。对于短呈现时间(1秒),描述性标题比阐释性标题更能提高理解,而对于中等呈现时间(10秒),阐释性标题比描述性标题更能提高理解。因此,对于艺术作品,可能需要大约10秒的呈现时间,以便赋予超越单纯描述的意义。只有在中等呈现时间下,具有较多艺术知识的参与者比艺术知识较少的参与者对绘画有更好的理解。因此,似乎如果有足够时间赋予意义,艺术知识就变得重要了,并且当前研究揭示了在审美欣赏中考虑时间进程的重要性。