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蒙赫:2005年7月于里昂举行的韦里斯特讲座。

Monge: The Verriest lecture, Lyon, July 2005.

作者信息

Mollon John

机构信息

Experimental Psychology, Cambridge University, Cambridge, United Kingdom.

出版信息

Vis Neurosci. 2006 May-Aug;23(3-4):297-309. doi: 10.1017/S0952523806233479.

Abstract

In 1789, when neither the physical basis of hue nor the retinal basis of color perception was established, the mathematician Gaspard Monte stated firmly that our color perceptions do not depend on the absolute value of the physical variable, but are influenced by the context and in particular by our estimate of the illuminant. He used this insight to explain color contrast effects and the Paradox of Monge (the desaturation of red objects seen through a red filter). He proposed that we can estimate the chromaticity of the illuminant in any scene because all surfaces reflect to us varying mixtures of (i) the body color and (ii) a specular component that represents the illuminant. He also realized that white objects have a special property: Provided that they are illuminated by a single illuminant, such objects exhibit no variation in chromaticity across their surface. Thus at least one of the unique hues exists as an external reference on which observers can agree. It is suggested that other unique hues may also have a basis in the external world.

摘要

1789年,当色调的物理基础和颜色感知的视网膜基础都尚未确立时,数学家加斯帕尔·蒙蒂坚定地指出,我们的颜色感知并不取决于物理变量的绝对值,而是受环境影响,特别是受我们对光源的估计影响。他利用这一见解解释了颜色对比效应和蒙日悖论(透过红色滤光片看到的红色物体的去饱和现象)。他提出,我们可以估计任何场景中光源的色度,因为所有表面反射给我们的是(i)物体颜色和(ii)代表光源的镜面反射成分的不同混合。他还意识到白色物体有一个特殊属性:只要它们由单一光源照明,此类物体在其整个表面上的色度就不会有变化。因此,至少有一种独特色调作为观察者可以达成共识的外部参照而存在。有人提出,其他独特色调可能在外部世界中也有依据。

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