Seddon Toby
School of Law, University of Manchester, Oxford Road, Manchester M13 9PL, UK.
Int J Drug Policy. 2008 Apr;19(2):99-105. doi: 10.1016/j.drugpo.2007.10.004. Epub 2008 Feb 20.
Taking Kohn's classic book Dope Girls as its starting point, this paper explores the particular place of women and gender issues in the emergence of the 'British System' of drug control in the early twentieth century. The 'British System' refers to the approach put in place in the 1920s in Britain, notably by the 1926 Rolleston Report. In essence, it involved the medically based prescription of opiates to addicts, often on a long-term basis. It is viewed by many as one of the beginnings of the general principle of harm reduction within drug policy. This paper will examine how female figures - chorus girls, actresses, night club girls, prostitutes - were central to British drugs discourse in the 1920s, with the representation of some individual women in particular, most famously the actress Billie Carleton, featuring very prominently. It will be argued that this gendering of drugs discourse can be best understood in the wider context of social change, namely the transition from liberalism to welfarism at the turn of the twentieth century. It is suggested that this historical analysis provides a radical new perspective on some fundamental issues for contemporary approaches to harm reduction for women, a perspective that has far-reaching implications and challenges some 'taken-for-granted' assumptions.
本文以科恩的经典著作《吸毒女孩》为出发点,探讨了20世纪初女性及性别问题在英国毒品管制“英国体系”形成过程中的特殊地位。“英国体系”指的是20世纪20年代英国所采取的方法,尤其是1926年的《罗尔斯顿报告》中提出的方法。从本质上讲,它涉及基于医学对成瘾者进行鸦片制剂的处方,而且常常是长期处方。它被许多人视为毒品政策中减少伤害这一总体原则的开端之一。本文将研究20世纪20年代女性形象——歌舞团女孩、女演员、夜总会女孩、妓女——在英国毒品话语中的核心地位,特别是一些个别女性的形象,其中最著名的是女演员比利·卡尔顿,她的形象非常突出。本文认为,在更广泛的社会变革背景下,即20世纪之交从自由主义向福利主义的转变中,才能最好地理解毒品话语中的这种性别化现象。有人认为,这种历史分析为当代女性减少伤害方法的一些基本问题提供了全新的视角,这一视角具有深远影响,并对一些“理所当然”的假设提出了挑战。