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雄性热带嘲鸫对歌曲内和歌曲间多样性变化的反应。

RESPONSES OF MALE TROPICAL MOCKINGBIRDS TO VARIATION IN WITHIN-SONG AND BETWEEN-SONG VERSATILITY.

作者信息

Botero Carlos A, Vehrencamp Sandra L

机构信息

Lab of Ornithology and Department of Neurobiology and Behavior, Cornell University, Ithaca, NY 14850.

出版信息

Auk. 2007 Jan;124(1):185-196. doi: 10.1642/0004-8038(2007)124[185:ROMTMM]2.0.CO;2.

Abstract

Despite their large vocal repertoires and otherwise highly versatile singing style, male mockingbirds sometimes sing in a highly repetitive fashion. We conducted a playback experiment to determine the possible signal value of different syllable presentation patterns during simulated male intrusions in the Tropical Mockingbird (Mimus gilvus) testing the hypothesis that more repetitive singing represents a stronger threat and generates a stronger aggressive response. Responses were measured in terms of approach and singing behavior and were analyzed using McGregor's (1992) multivariate method. We also introduce the use of survival analysis for analyzing response variables for which subjects do not perform the behavior in question in at least one of the replicates (known as 'right-censored variables' in the statistical literature). As predicted by theory, experimental subjects responded more aggressively to songs composed of a single note than to variable ones. However, versatility at the between-song level had an opposite effect as high song switching rates generated stronger responses than low ones. Given the lack of a statistical interaction between within-song versatility and switching rate, we conclude that these two parameters may serve independent purposes and possibly transmit different information. We discuss the possibility that the signal value of variation in vocal versatility lies in the mediation of territorial conflicts, the attraction of female partners and/or the mediation of conflicts over access to reproductive females.

摘要

尽管雄性模仿鸟拥有丰富的发声曲目以及高度多样的歌唱风格,但它们有时会以高度重复的方式歌唱。我们进行了一项回放实验,以确定在模拟雄性热带模仿鸟(Mimus gilvus)入侵期间不同音节呈现模式可能具有的信号价值,检验了这样一种假设,即更多的重复歌唱代表更强的威胁并引发更强的攻击反应。反应通过接近和歌唱行为来衡量,并使用麦格雷戈(1992年)的多变量方法进行分析。我们还引入了生存分析来分析反应变量,对于这些变量,在至少一个重复实验中,受试者并未表现出所讨论的行为(在统计文献中称为“右删失变量”)。正如理论所预测的,实验对象对由单个音符组成的歌曲的反应比对可变歌曲的反应更具攻击性。然而,歌曲间水平的多样性产生了相反的效果,高歌曲切换率比低切换率引发更强的反应。鉴于歌曲内多样性和切换率之间缺乏统计交互作用,我们得出结论,这两个参数可能服务于不同目的,并可能传递不同信息。我们讨论了声乐多样性变化的信号价值可能在于领土冲突的调解、雌性伴侣的吸引和/或获取繁殖期雌性的冲突调解的可能性。

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