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音色和节奏变化对音乐记忆的影响。

Effects of timbre and tempo change on memory for music.

作者信息

Halpern Andrea R, Müllensiefen Daniel

机构信息

Psychology Department, Bucknell University, Lewisburg, PA 17837, USA.

出版信息

Q J Exp Psychol (Hove). 2008 Sep;61(9):1371-84. doi: 10.1080/17470210701508038.

Abstract

We investigated the effects of different encoding tasks and of manipulations of two supposedly surface parameters of music on implicit and explicit memory for tunes. In two experiments, participants were first asked to either categorize instrument or judge familiarity of 40 unfamiliar short tunes. Subsequently, participants were asked to give explicit and implicit memory ratings for a list of 80 tunes, which included 40 previously heard. Half of the 40 previously heard tunes differed in timbre (Experiment 1) or tempo (Experiment 2) in comparison with the first exposure. A third experiment compared similarity ratings of the tunes that varied in timbre or tempo. Analysis of variance (ANOVA) results suggest first that the encoding task made no difference for either memory mode. Secondly, timbre and tempo change both impaired explicit memory, whereas tempo change additionally made implicit tune recognition worse. Results are discussed in the context of implicit memory for nonsemantic materials and the possible differences in timbre and tempo in musical representations.

摘要

我们研究了不同的编码任务以及对音乐两个假定的表面参数进行操纵对曲调的内隐记忆和外显记忆的影响。在两个实验中,首先要求参与者对40首不熟悉的短曲调进行乐器分类或判断熟悉程度。随后,要求参与者对80首曲调的列表给出内隐和外显记忆评分,其中包括40首之前听过的曲调。在40首之前听过的曲调中,有一半与首次接触时相比,在音色(实验1)或节奏(实验2)上有所不同。第三个实验比较了在音色或节奏上变化的曲调的相似度评分。方差分析(ANOVA)结果首先表明,编码任务对两种记忆模式均无影响。其次,音色和节奏变化均损害了外显记忆,而节奏变化还使曲调的内隐识别变差。我们将在非语义材料的内隐记忆以及音乐表征中音色和节奏可能存在差异的背景下讨论这些结果。

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