Warker Jill A, Halpern Andrea R
Bucknell University, USA.
Am J Psychol. 2005 Winter;118(4):567-85.
This study looked at how people store and retrieve tonal music explicitly and implicitly using a production task. Participants completed an implicit task (tune stem completion) followed by an explicit task (cued recall). The tasks were identical except for the instructions at test time. They listened to tunes and were then presented with tune stems from previously heard tunes and novel tunes. For the implicit task, they were asked to sing a note they thought would come next musically. For the explicit task, they were asked to sing the note they remembered as coming next. Experiment 1 found that people correctly completed significantly more old stems than new stems. Experiment 2 investigated the characteristics of music that fuel retrieval by varying a surface feature of the tune (same timbre or different timbre) from study to test and the encoding task (semantic or nonsemantic). Although we did not find that implicit and explicit memory for music were significantly dissociated for levels of processing, we did find that surface features of music affect semanticjudgments and subsequent explicit retrieval.
本研究通过一项制作任务,探究人们如何显性和隐性地存储及提取调性音乐。参与者先完成一项隐性任务(旋律片段补全),接着完成一项显性任务(线索回忆)。除了测试时的指导语外,两项任务完全相同。他们聆听曲调,然后会看到之前听过的曲调以及新曲调的旋律片段。在隐性任务中,要求他们唱出在音乐上他们认为接下来会出现的音符。在显性任务中,要求他们唱出他们记得接下来会出现的音符。实验1发现,人们正确完成的旧旋律片段显著多于新旋律片段。实验2通过在学习和测试时改变曲调的一个表面特征(相同音色或不同音色)以及编码任务(语义或非语义),研究了促进提取的音乐特征。尽管我们没有发现音乐的隐性和显性记忆在加工水平上有显著分离,但我们确实发现音乐的表面特征会影响语义判断及随后的显性提取。